Showing posts with label Wine Tips. Show all posts
Showing posts with label Wine Tips. Show all posts

Friday, August 3, 2012

Thinking out loud about wine as usual and other things...



Thinking out loud about wine as usual and other things...

Whether working in a restaurant, a retail store, a “caviste”, a “bar a vin”, an importer, a distributor, a Negociant and even for a producer, being a Sommelier / wine buyer often allows you to taste a vast amount of wines: a lot of bad ones, a generous amount of good ones and from time to time some great ones too. But how can people like Sommeliers and other wine professionals define the quality and taste of a wine to advise you on how to choose and eventually buy a bottle?

The answer is "Passion" combined with a lot of tasting – and drinking too (in moderation of course) – and principally having a curious mind completed with extensive knowledge built through reading, tasting, traveling and visiting vineyards and wineries, I will say, at least for my part and for most wine lovers I met. Then it is mostly a question of listening and understanding respectively the customer's taste and more importantly his or her palate.

Despite the fact that some people still generalize and think that quality and especially taste are equal common grounds for all palates, it is in fact the opposite. Quality varies a lot depending on how train and open your palate is. Moreover, taste is personal and tasting is very subjective. In short, everybody has its own opinion(s); and thus, it will be difficult to contest it as every palate possesses different levels of sensitivity and interpretation of the detected aromas and flavors and the overall taste.

Some of us prefer rich, bold, opulent wines with jammier fruit and solid structure, like a Cabernet Sauvignon or a Zinfandel from Napa in California; while others (like me) may like them light, crisp, refreshing, more mineral and racy with juicy fruit and leaner structure, like a Pinot Noir from Burgundy or a Lagrein from the Sudtirol in Alto-Adige Italy or even a Petite Rouge from the Valle d'Aosta in Italy. And most of us usually like or are more inclined to the middle ground of fruity, generous yet medium bodied, smooth and versatile wines suitable for any occasions. That can be said also for whites, comparing a full chardonnay aged in barrels to a mineral Roussette de Savoie for example.  

Yet, nowadays, it seems that more amateurs and connoisseurs as well as professionals trust blindly brands and ratings, usually commanding higher prices, rather than exploring on their own and experience the quality and taste of a wine; consequently missing the opportunity to learn by themselves how to appreciate and know whether or not this wine will be good for them to drink and buy again.

But it is very understandable, especially with this economy, which leads people to adopt a cautious attitude when drawing their wallet to buy something. Labels or brands, ratings and more importantly prices are more than ever coming to play and intermingle with their final decision, pushing aside the quality and taste of the wine, and at the same time the joy of venturing into lesser known regions and smaller producer's wines. People seems to put their money in the very inexpensive for everyday, and the rated for special occasions, resulting in more wines in the in-between to remain unsold, crowding the shelves, patiently waiting for the rare few of us that continue to sail the vast ocean of wine hoping to discover that little gem that will make our day and complement our food.

During the last 10-15 years before the world economy crumbled, searching and discovering for new and unknown wines was a fun game, gambling on a bottle at your supermarket or listening for recommendation in your local store and restaurant; yet nowadays, it seems that people are coming back to their favorite brands and stick to them, especially if they are good values for money. Yet, they are more and more wines to chose from all around the world and in so many styles...It is a difficult situation, but hopefully and fortunately, things will change, and people will once again join the ranks of the wine adventurers.

Yet, and despite the economy, I still think that price and label or brand and even rating don't necessarily reflect on the quality and taste. In fact, I think that no one should (or even can) define the quality of a wine by its price or label (or its rating if any). It should and must be define by the wine’s taste: aromas, flavors, balance between fruit, acidity and tannins, texture and structure, finish and length, the overall profile from beginning to end, and more importantly by the whole impression that it leaves in the palate. And undeniably, if it immediately calls for another glass.

Yes! If the tasted wine immediately calls for another glass! That is the key of success for any wine. Because, at the end of the day, critics and professionals alike can give you the best speech ever, the most impressive description or even give the best score ever to a wine, if you taste it and do not like it, all the above won't really matter. Hefty price and high score for a shitty wine will surely leave a bitter taste in your mouth; fortunately, it doesn’t happen that often as, usually, expensive established wines command for high scores and ratings and thus should taste, at least if not great, good…

Although, labels, brands, prices, attractive descriptions and ratings may impart your decision and guide you to buy a bottle of wine, whether in a store or in a restaurant or even in an auction (which is even a bigger risk), the wine may not always satisfy you despite what you read or heard about it. Once you’ve tasted them, some of these wines can actually be quite disappointing; somewhat even far from the description and/or the rating. Almost makes you wonder what the critic was thinking when he or she tasted the wine that day.

Words can be an indication of what you will find in the bottle in general terms about taste and flavors. But you will be able to determinate the quality and if it suit your palate only after you’ve tasted the wine. Moreover, your palate, knowledgeable or not, will tell you right away if the tasted wine is worth drinking another glass or if you should just pour the rest of the bottle in your beef bourguignon, or worst, in the sink (vinegar is also an option…).

Do not be too influenced by the taste of others around you. Remember everybody is different and every palate has different sensitivity levels. Therefore, always keep your first impressions, because the subjectivity of the wine depends on the taster’s palate and his taste buds experience and his sensory memory, not necessarily on the wine itself. It is the truth, believe it or not.

Most of the first impressions when it comes to smell and taste respectively the aromas and flavors of a wine, are triggered by the olfactory and sensory memories, in correlation, in fact, with pretty much everything your brain has recorded and preciously kept since your birth. In other words, when you smell a wine in the company of a few friends, some aspects of it may be generalized when they match the overall opinion, like: “Hmmm, this wine has a great nose! It is very expressive! Or “No, it is closed. The aromas are barely perceptible.” Yet, when it is question of defining and being more precise about the aromas, then it is everybody for himself, and it is completely normal.

Why? Because everyone’s olfactory and sensory collected memories and souvenirs are different.For example on a red wine, certain people may smell red cherry, while other will maybe smell dark cherry or even wild cherry or even something else like raspberry or dark berries. It only depends on your first impressions and what came first to your mind when you put the glass to your nose. Nothing wrong of having a different opinions and first impressions than the person next to you, it is perfectly normal and thanks god that is the way it is, otherwise life will be boring and free of long, nonsense passionate debates on something as simple as what do you smell in this wine? It is only a matter of sensitivity and olfactory and sensory memory education.

For example, and that is what I do with my own kids, every time you go to the supermarket to get some groceries, you should hover around the fruit and vegetable section, and take the time to touch, smell and record the various sensations, impressions and aromas in your brain. Take a melon for example, the riper it is, the smellier it is, that is usually why most people do not feel the melon but smell it before buying it. It is current practice in the old world, particularly France.

Another example, when passing by the citrus fruits, try to record the easy differences between an orange, a mandarin, a lemon, a lime and a pink grapefruit. Take them in your hands, close your eyes for a few seconds and learn how to record the texture of the skin and the specific characteristics of the smell. You can do the same for berries and cherries in general and even nuts. Learn the difference in color, smell, texture and taste between them. Same for vegetable, herbs and spices, meat and fish, cheeses and desserts, and roughly anything that you can drink or eat.Chefs do it all the time. it is more than an habit for them, it is a way of living and perfectly knowing the characteristics of each ingredients to elaborate the dishes.

Everything as a very distinctive color, smell, texture and taste that you may find back into the aromas and flavors a wine has to offer.It is the same for the palate and normally some of the aromas on the nose will be accentuated and confirmed in the palate, as all the flavors of a wine do not come from your taste buds, on the contrary to most people belief, but from the retro-olfaction reaction created when breathing, especially inhaling, while swirling the wine with the air in your mouth and also when swallowing the wine. It is a bit difficult to explain, but in short, it will stimulate the mucus membrane and the sensory cells in the nasal cavity and transfer the aromas into flavors in the back of the oral cavity, giving you the impression of having the same types of flavors, which first corresponded to the aromas on the smell, yet in a more prominent way usually mixed with other components. In fact, at times this will be the same as the olfactory process if not slightly different and complimentary. The taste buds on your tongue will only detect the 5 basic tastes: bitterness, saltiness, sourness, sweetness and umami (sort of savory taste), but they won’t give you the flavor profile of a wine, your olfactory and sensory memory will.

It is the result of what your eyes, nose and palate have been slowly accustomed to see, smell and taste (and even touch), recorded in your brain since your birth, and coming back as a first impression, as a memory projecting an image from your brain to define what it is. Put the glass to your nose, smell it … stop, don’t think of anything else. What is the first thing that comes to your mind? Cherry? Berry? Citrus fruit? Chocolate? Nuts? Toasted bread? Vanilla? Oak? Spice? Let your mind guide you.Once you’ve tried it, it will become knowledge, like an automatic response generated by all your sensors every time you will encounter that specific smell or taste, that characteristic aroma or/and flavor.

By doing so, you no longer will be a novice, you will have educated and accustomed your sensors to track and recognize, identify and differentiate the numerous colors, smells, texture and taste, which somewhat will always be very useful, and not only for wine. It is something that modern men have now forgotten, but it is something that men have been relying on to feed themselves and quench their thirst since the beginning of time up until not a long time ago. It is said that it is usually easier for women, who naturally since their young age have developed a better sense of smell due to perfumes and other skin and hair products. There are also more women doing the groceries than men in general…

In any case, that is the reason why you have to trust yourself, your instinct, your impressions and more especially your palate. Yet that is only if you bought and opened the bottle and tasted the wine.

However, if you did not sharpen your olfactory and sensory memory, and didn't open the wine yet and consequently remain faced with the dilemma of what to choose to drink with tonight’s dinner; and because there is no other way to really know what's in the bottle before you opened it and tasted it, unless you are a big fan of the producer and have been following quite enough vintages to know the approximate profile of the produced wine and have already a rough idea of what you will get, you will still have to refer to the advice of critics and other wine professionals, whether online, in books or with a real person like a wine salesman, a Sommelier or a "Caviste" to make your final decision.

That is why, when looking for some info about a wine that you want to taste, it is very important to read in between the lines and never to refer to only one wine critic (or only one other wine professional). You have to diversify the source of your information, to have a broader view of the wine and read what more than one person thinks about it.

Unless, you really know the person who usually advise you at your local retail store or in your favorite restaurant, and who, so far, never really disappointed you and more than often recommended you with what you were looking for (because he or she learned with time the profile of your palate), you are basically on your own. At the mercy of critics and other professionals alike that may advise you wrongly or misguide you, especially if you do not know their palate’s profile.

Of course, like most people, me included from time to time, you probably rely on some of the most famous critics and wine writers like Robert Parker, Jancis Robinson, Steven Tanzer, Michael Broadbent, Michel Bettane, Oz Clarke, Clive Coates, Hugh Johnson or/and Allen Meadows (just to name a few), but do not forget that they all have their own palate and taste, which may not necessarily suit yours and will never be identical to yours.Therefore, in order to buy the bottle that will best suit your palate and excite your taste buds, you will have to know perfectly the palate and taste of your wine critic, Sommelier or other wine professionals, to make your decision.

Basically, if nobody is here to help you and you are not able to chose for yourself a bottle among the very intimidating layers of bottles laid on the shelves in front of you, and your only hope is to rely on your smart phone to search for a rating, a description or whatever else that will decide you on why you should buy this bottle rather than that one; well, the idea is that you absolutely must know the palate of your critics and other wine professionals and writers, to make the right choice. In doubt, do your home-work. Atop of the press and critics publications, there are plenty of very good websites, including bloggers (like me) that can also guide you and deliver a lot of opinions and info. Do not neglect the bloggers, some appear to be more reliable and trustworthy than a few of the pedestal-climbers and self-proclaimed wine professionals and critics.

You can always refer to online websites like Decanter, Robert Parker, Wine Spectator, International Wine cellar, Jancis Robinson and more, like most people do. However, and it is very important, as I said before, you will have to know the critic palate’s profile. For example, it is known that Robert Parker’s palate profile is rather richer and more fruit driven than those of Stephen Tanzer or even Jancis Robinson, which are a bit more inclined to more traditional, earthier wines with less alcohol (which I’m certainly closer to after meeting and tasting with both in various occasions like Bordeaux en Primeur and a few importers/distributors tastings in France, UK and USA. Yet, I still have the utmost respect for Parker, don’t get me wrong, but our palate are different, that’s all).

It is very important, because, although all of the above wine personalities are very good in their own field with their respective palate, as always and more than ever with the growing number of wineries and producers and thus styles; wine is a matter of personal taste.

Out of 195 countries in the world, 40 countries lead the pack per volume and production; yet, some believe that there are now about 120 countries producing their wines. That’s a lot of wine.And because, you can taste them all and that more information are daily, contently written and uploaded on the internet, you can now have access to a huge amount of tasting notes, descritions, ratings and all sort of other things you need to know about wine.

Cellartracker, for example, is an excellent websites where various persons, professional or not, can express themselves and write their own descriptions and opinions about any wines. If a wine has been described (and rated) by a few people, you will be able, at one glance, to read the different opinions and personally assess the wine base on your overall view and understanding of the various descriptions. You will be able to vary the source of your info by comparing with other similar websites and blogs.

However, all that said, wine writing and advising is a matter of knowledge, curiosity and passion above all. Nobody can really talk you into a wine without these three essential and indissociable factors. Whatever you read, it has to be informative and attractive. If it is too general and lack of personal inputs, it often means that knowledge may be there, but passion is missing and curiosity is lacking. Like anything else, when a Sommelier (or any good wine professional) likes a wine, he or she will not stop talking, even bragging about it, venting its merits and its beneficial virtues for those who will dare have a sip of it.

Therefore, know the palate of the person who suggest you a wine, Sommelier, critics and any tother wine professionals, but also know his or her personality too. Personally, when I suggest a wine to someone, I’m very excited and impatient to recommend it, because I know the story, the history, the winemaking process and even sometimes the producer behind it. It makes for a better and enhanced experience for the customers; and because I always also ask a lot of questions to define and comprehend the palate (and never to forget the budget) of my customers, I usually end up by transforming a skeptical-hesitant-shelves-stroller into a happy-to-be-back customers.

It makes me feel good to think that my relationship with my customers goes way beyond the frozen glare and uncomfortable smile one can encounter while deciphering the labels of the vast ocean of bottles of wine in a supermarket or at a local wine & spirits retailer around the corner, where sometimes the staff lack of knowledge and boast demeanor marking them down as bored and not really sympathetic. This type of conduct usually triggers annoying but right for the circumstance questions like: Am I disturbing your afternoon siesta? Should I come back when you are in a better mood? I have been here for the past 10-15 minutes, and it is only know that you acknowledge that you may have a customer to attend to? Do you know anything about this wine? Etc…

That's what prompted me originally to create a wine blog to share my knowledge, passion and opinions regarding some of the wines that I tasted, and to be able to help you define if whether or not you would like to buy or drink certain wines more than others. There are plenty of people like me who loves wine, taste it, drink it, write about it and express their opinion about it. Diversify the source of your information, keep only the positive things and learn how to read between the lines and understand the wine jargon and the palate of those you follow the guidance.

If you want to know about my palate, I can say that I buy and drink pretty much everything to taste and generate an opinion (whether positive or negative), more especially because I do not want to die stupid (so I apply this doctrine to pretty much everything in life: art, culture, history, geography, languages, and more). Yet, what I like to drink are usually wines from smaller, more independent producers, usually crafting with natural methods (organic, biodynamic, lute raisonnee, etc…) that respect nature and the environment. I like them earthy, racy, and expressive on the nose and balanced in the palate. Crisp, refreshing acidity, mineral, even a touch funky, not a problem, as long as all the component s are fairly balanced and integrated, in harmony with no harsh edges (bitter, sour, green, too vegetal, tannic, astringent, alcoholic, etc..). The fruit needs to be ripe, but not overripe, even slight under-ripe is not always a problem. The texture and structure need to be polished and generous, subtle and complex, yet without being too opulent or over the top. The finish should remain for a little while, giving you a satisfying, even some time exhilarating, sensation of comfort and pleasure. And as I always say, it should definitely call immediately for another glass!

Enough talking, let’s put the charcuterie and other victuals on the table, and let’s have a feast to celebrate family, friendship and lasting memories around a few good bottles of wine.

Enjoy!

LeDom du Vin

Monday, April 18, 2011

Wine & Spirits vocabulary: Quick and Easy Chart of size and volume (and name) conversion from the US System to the Metric System

In the US, where the metric system isn't fully used, integrated or even understood, despite the number of citizens and immigrants using it everyday, it is sometimes difficult to spontaneously convert sizes and other measurements, especially when faced with a situation where both persons say the same thing but in fact have no idea what the other one is saying.

When I first arrived in the US, in 2002, very often at the store, customers asked me for “pints” or “quarts” or a "gallon", and I need to admit that it took me a bit of time to get acquainted with the different sizes and names. When you've grown up all your life using it, it is easy, yet even some American that I know still have no clue. I was even asking my wife to help me to comprehend that new system, which was quite intriguing for a European guy like me.

Since then, I learn how to spontaneously convert things in my head, but it took me a few years to get to that point. Therefore, and because I think that I’m not the only person facing that problem, here is a quick and easy chart, to help you every time you need to.

This short chart is by no mean exhaustive and I'm sure that I could have add plenty of other things... but, hey, that's an helpful start!


Wine & Spirits: Quick and Easy Chart of size and volume (and name) conversion from the US System to the Metric System


US & UK Unit system Metric System
Length Helpful conversion Length
1 inch 2.54 centimeters
1 foot 12 inches 30.4801 centimeters
1 yard 3 feet 91.44 centimeters
1 mile 5,280 feet 1.609344 kilometers
3.937008 inches 10 centimeters
39.370079 inches 3.28084 feet 1 meter
328.08399 feet 109.36133 yards 100 meters
1093.613298 yards 0.621371 miles 1 kilometers
Area Area
1 square feet 0.092903 square meters
100 square feet 0.92903 square meters
100 square yards 83.612736 square meters
1 ares 100 square meters
1 acres 4046.856422 square meters 0.404686 hectares
10.76391 square feet 1.19599 square yards 1 square meters
107.639104 square feet 11.9599 square yards 10 square meters
1076.391042 square feet 119.599005 square yards 100 square meters
107639.104167 square feet 2.471054 acres 1 hectares
24.710538 acres 10 hectares
US Liquid Btle name US Liquid Btle volume Metric Bottle volume
A Nip (given name in store) 0.033814 ounce 50 ml (or a shot)
A Half Pint (given name in store, not official name because of volume = 236.5ml) 0.422675 pint or 6.762805 ounces 200 ml
A Pint (given name in store, not official name because of volume = 473ml) 0.792516 pint or 12.680259 ounces 375 ml (half a bottle)
A Fifth (given name in store, not official name because of the volume = 757ml) 25.360517 ounces or 0.198 gallon 750 ml (regular bottle)
Quart (given name in store, not official name because of volume = 946ml) 0.264172 gallon 1 Liter (1L)
0.396258 gallon 1.5L (magnum or 2 bottles)
Half a Gallon (given name in store, not official name because of volume = 1.892L) 0.462301 gallon 1.75L
0.792516 gallon 3L (Double Magnum or 4 bottles)
0.792516 gallon 3L (Jeroboam Champagne or 4 bottles)
1 gallon (given name in store, not official name because of volume = 3.785L) 1.056688 gallon 4L
1.188774 gallon 4.5L (Jeroboam Bordeaux or 6 bottles)
1.188774 gallon 4.5L (Rehoboam Champagne or 6 bottles)
1.32086 gallon 5L
1.585032 gallon 6L (Imperial or 8 bottles)
2.377548 gallons 9L (Salmanazar or 12 bottles)
3.170065 gallons 12L (Balthazar or 16 bottles)
3.962581 gallons 15L (Nabuchodonosor or 20 bottles)
26.417205 gallons 1 hectoliter (or 100L)
56.796991 gallons 1 Beaujolais Barrel (215L)
59.438712 gallons 1 Bordeaux Oak Barrel also called "Bordelaise" (225L)
60.231228 gallons 1 Burgundy Oak Barrel also called "Pièce" (228L)
60.759572 gallons 1 Maine et Loire Barrel (230L)
63.401293 gallons 1 Sarthe Barrel (240-250L)
79.251616 gallons 1 French Hogshead Oak Barrel (300L)
237.754847 gallons 1 Tonneau (Big Oak vat) (900L or 4 Bordeaux Barrels or 9 hectoliters)
1 (liquid) US pint (pt) Official US Pint size (16 ounces) 473.1765 ml
1 (liquid) US quart (qt)  Official US Quart size (32 ounces) 946.3529 ml
1 (liquid) US gallon (gal) Official US Gallon size (128 ounces or 4 quarts)   3.785412 L
1 (liquid) barrel (US) 31.5 gal or 12 hogshead 19.2405 L
1 oil barrel (US) 42 gal or 23 hogshead 158.9873 L
1 hogshead (US) 63 gal or 8.421875 cu ft 238.4810 L
 
www.LeDomduVin.com


Created by LeDom du Vin with a little help from http://www.digitaldutch.com/unitconverter/

Enjoy! and let's hope that it will help you.

LeDom du Vin

Sunday, February 20, 2011

Wines in retail store: Standing Up or Laying Down bottle?





Dominique Noel (a.k.a. LeDomduVin),
Wine Director at Heights Chateau, Brooklyn Heights, NYC (2010)
©LeDomduVin 2010


Standing Up or Laying Down bottle?


Not because it is the store where I currently work (and have been working for the last nearly 4 years), but "Heights Chateau" is the quintessential "niche wine boutique store": antique library look, elegant boiserie, quaint charm, warm atmosphere, inviting, cosy and full of carefully selected wine and spirits gems (from all around the world) by the knowledgeable and friendly staff, under the leadership and guidance of its friendly, experienced and skilful owner - Matthew Lasorsa.

Both pictures (above and below) show you the charm of this Brooklyn Heights neighbourhood “Alibaba Cavern” and partly reflect the extent of the choices it has to offer, neatly organized on shelves and displays for the pleasure and easy access of our customers. 

As you can see, 1 bottle is shown on display, while the others are laying down in the back of the shelves where they are both protected from the lights and able to rest laying down with the wine touching the cork (the most ideal way to store wines, even the bottles don’t stay long enough on the shelves for their conditions to really be impacted).

Very often, when our customers come to the store and pick up one or more bottles from the shelves, they inadvertently take the first one(s) they see, which, generally and in most case scenarios, end up being the one(s) standing up.



Wine Shelves at Heights Chateau, Brooklyn Heights, NYC 
Photo courtesy of www.yelp.com 



As mentioned above, at Heights Chateau, the bottles are stored on beautiful antique-like library shelves, with one bottle (for display) standing up in front of a few more bottles (about 6-8 bottles), which are (usually) stored vertically (forming a column) with the bottles at the horizontal (lying down on their side) on top of each other (see picture above).

The owner and myself, as the store's manager and wine director, as well as the rest of the staff, are very concerned about the quality of the bottle(s) we buy and sell, how we store them.  However, we are even more concerned about how our customers pick their wine(s) and take it(them) from the shelves. 

Consequently,  unless they don’t have any other choice (as there is only one bottle left standing up), we always recommend them to choose one of the bottles lying down in the back rather than the one standing up (facing them).

And irremediably, my colleagues and I, (nearly every time we do that recommendation), are faced with the same unavoidable question from our customers: "Why? Why can't I buy the bottle standing up?" 

Well, there are surely countless amounts of reasons I could give for you not to buy the bottle standing up, yet, among them, the following 4 ones seem (to me) the most obvious and logical. And these are usually the reasons I give to my customers, when having to choose a bottle of wine in a retail store (whether it is a niche wine boutique store or a supermarket, or anywhere else you buy your wine from for that matter), and explaining why they should avoid taking the one(s) standing up.



Four Reasons not to buy a bottle standing up at your regular wine store: 




A wine Cork's Story by ©LeDomduVin 2018 (v2)



1. Dry cork and Oxidation


The first reason that comes to mind is that the bottles standing up might be affected by "dry cork and oxidation". Due to lack of the inventory's turnover on the shelves and/or, (even worst), if all the bottles on the shelves are standing up (like in a supermarket), and more especially for the bottles that have been corked with a real tree "cork" (and even for the ones that are made out of agglomerate cork to some extend, but not for the synthetic ones (*)), the cork may have dried out (due to lack of contact with the wine inside), and let some air enter the bottle, which may have resulted in some oxidation of the wine in the bottle. 

Once oxidized, a wine is bad and deteriorates rather quickly (especially if the bottle is left standing up), and its color tend to become dull and brownish (for red wines). 

That is the first and main reason why one should always choose to take a bottle from the ones that are laying down rather than from the ones standing up on the shelves.

(*) Screw-tap and plastic-like-synthetic corked bottles are usually less or rarely exposed to this kind of problem, but there again, it may happen, especially with bad or loose screw-tap caps.





Corked and Upstanding Bottles by ©LeDomduVin 2019 (v2)



A little tip: 

Always pour yourself a little taste of the wine prior filling up the rest of the glasses (the ones of your company and/or guests), as if you happen to have a bottle that you believe is oxidized or corked after tasting the first sip, do not serve it and discreetly put it aside...

(that way you will prevent anyone from making any embarrassing comments and consequently save your face at the same time, and will continue to enjoy a dinner that will have surely turned a little sour and annoying otherwise...) 

...then, immediately put the cork back and bring the bottle back to the store (where you bought it from) with what is left of wine in the bottle. 

Do not pour  the wine out in the sink (like most people do), as you might still have a chance to get your money back or get to choose another bottle as a replacement of the bad one (obviously that entirely depends of the type of store and store management you will face... you might need a tiny bit of luck too). 

One of the following scenarios will occur:

A.   You've only poured and took a sip for yourself to taste first, and the bottle is about 95% full, which is good (and will surely work on your favor when at the store explaining the situation) 

B.    You've poured a few glasses already, but they have not been touched yet... you're in luck, just pour the content of the glasses back into the bottle, put the cork back, then bring the bottle back to the store (the person at the store does not need to know you've poured the untouched wine back in the bottle, remain impassive and/or evasive on that part) 

C.    You've poured a few glasses already, and people started to taste the wine a little.... bad luck (sh*t), then forget about it, just put back the cork on the bottle as it is, probably only 40-50% of the wine left in the bottle, yet you might still have a chance... it ain't over til it's over... 

D.    You've poured the whole bottle and the glasses have long been emptied (and maybe no one but you noticed the fault...).... well, your loss... and don't push your luck mate... coz, bringing the empty bottle to the store and try to convince the store manager the bottle was oxidized or corked won't get you far.... 😊     



However, whether A, B or C (Shh.... not D we told you... ), just remember that the store needs the bottle, the cork (if possible) and (more importantly) the wine inside in order to taste it, to agree or disagree (that the wine is faulty or not), and if agreed to let you choose another bottle at the same or similar price and/or refund you (depending on their policy and also the understanding and kindness of the store manager). They also need the bottle with the wine inside for them to make, in turn, a claim and try to get the bottle replaced or a get a credit back from their suppliers/distributors.


The store should normally exchange it for a new one or another wine of your choice at the same or similar price (if they are nice and if they want to keep your business... at least that is what I do). That say, as a wine being oxidized doesn’t happen too often, and being corked either, that is if your local wine shop is doing the right thing and if you have the right customer profile (in their eyes)... Otherwise, forget about it, most stores management and/or policy will totally ignore your request and probably won't even acknowledge you. 





The Daily Life of a Bottle of Wine on Display by ©LeDomduVin 2019



2. The life of a wine bottle on display: Grabbed, checked, shaken, put back, repeat


The second reason is that the standing up bottles on the shelves, (usually the ones on display to identify the other bottles lying in the back), are always the ones that people grab, check, shake and (too often) put back without buying it, and with no consideration whatsoever for the poor wine all shaken inside the bottle. Wine doesn’t like to be shaken. Do you?




Wine Under Bright Lights by ©LeDomduVin 2019



3. Under the bright lights


The third reason is that the standing up bottles (especially the ones on display) are always the ones which receive the most light, usually the lights from inside the store (generally cheap neon fixtures glaring from the ceiling), but also from outside the store, like the sun light (yet, and obviously, that entirely depends on the store plan configuration and how large and close to the wine shelves the store's windows are... duh....).

Light usually discolors the wine. It fades or dulls the color of the wine, which may becomes lighter at first than may darken into a dullish-brownish color. In parallel, light may also affect the aging of the wine too (aging or reaching its peak prematurely) (**).

  • For the young and light whites: the color might go from light yellow-greenish hue to becomes
  • For the older and heavier whites: the color will evolve from pale and/or deeper yellow, to darker yellow-brownish
  • For the reds: the color will turn from purplish-ruby red-crimson red to a dull brownish brick color (in general)   


Among other places, (and don't get me started on supermarket's ultra-bright and harmful neon lights), rare are the wine stores that have the appropriate LED lighting and proper light orientation to make it less harmful for the wines. In fact, it is quite intriguing and enervating (and fascinating in a weird way) to see bottles on display under direct bright lights in most (supposedly fancy and reputed) wine store... (like if they did not know... unbelievable).... 

And (fortunately), that is the main reason why wine (in general), and more especially red wine, which often needs a minimum of time to age in the bottle, always come in darker colored bottles (green, dark green, brown, amber or even black), to filter the light and more especially some of the harmful UV rays, and thus prevent the light from discoloring and damaging the wine in the bottle.

It might not matter much for wines made for immediate consumption, which are usually inexpensive enough to have a good turnover and thus move faster from the shelves. Like young white and rosé wines, for example, which (usually) come in transparent or lighter colored bottles for color identification purposes (and maybe for aesthetic purposes too).

Yet, it definitely matters for top tier, expensive and high quality wines (more especially reds, but also some whites), which usually come in darker colored bottles protecting them from the light, as they usually need more aging time in the bottle.


(**) I have also read that light, among other faults, may also cause oxidation in the wine. I definitely agree for the faults that might include side effects and changes in the wine chemical composition/reaction due to the degradation of the color and pigmentation/sedimentation/residues/ components of the wine, harmed by the UV rays of the light. However, I have doubts regarding the "oxidation" of the wine by the light, as oxidation usually occurs via/through air contact, and air cannot pass through glass, as glass is impermeable to gases and liquids and is nonporous (meaning that light can pass through it but not air, nor gas or liquid). 






Color and Sediments A Soap Opera for the old, rich and famous by ©LeDomduVin 2019


4. Older wine's sediments and color pigments falling down and settling at the bottom of the bottle


The fourth reason is that, as the wine gets older in the bottle, the sedimentation naturally occurs and thus sediments form inside the bottle as the wine ages and matures (***). These sediments consist of a combination or mixture of micro-particles, composed of debris of solid matter, as well as color pigments and other wine component's residues in suspension. 

If the bottle is left standing up and the suspension is left undisturbed, these micro-particles, color pigments and other residues, will gradually fall towards and likely settle at the bottom of the bottle (in the punt). 

Understandably, if the bottle is left standing up, and more especially if it is an older wine/vintage, all the sedimentation will fall down at the bottom of the bottle, and as a consequence (and due to the fragility of older wines), the consistency of the color, but also the taste (of the wine of this particular bottle) will be irrevocably disturbed/changed. The color of the wine will fade gradually from the upper part of the bottle (logically being more concentrated at the bottom than the top) and the wine will taste slightly dull and unbalanced, lacking of focus in aromas and flavors.

I never repeat it enough, but it is really, really important to keep these old ladies at an horizontal position (meaning on their side, and not standing up) for the sedimentation (or the sediments if you prefer) to rest at the bottom along the side of the bottle. That way, the sediments remain in contact with most of the wine contained in the bottle allowing it to keep its color and taste consistency.

(***) Sedimentation usually occurs for most wines (yes, even whites), and more especially the wines that did not undergo any "soutirage" (racking), nor "collage" (fining) or filtration during the vinification, the aging in stainless still vats or wooden barrels and/or prior bottling.






"Le Domaine du Vin" by LeDomduVin, NYC Boutique store style, by ©LeDomduVin 2017


 5. Conclusion


In short, and for these 4 main reasons above, while shopping and browsing around for some good bottles of "JaJa" (a synonym of "wine") at your local wine boutique store (like at Heights Chateau), you should always choose the bottles laying down rather than the ones standing up.

That is also the reason why, in my honest opinion, one should always favor the recommendations and prone the quality of the eclectic choices (the wine selection) of a local wine boutique store (a "Caviste" as we say in French), rather than looking bewildered and irritated when facing the endless and usually “staff-less” aisles of a supermarket, which will (usually) offer a lot of choices, more especially in terms of low quality and prices, but will definitely lack the uniqueness and precision of the wine selection, the knowledgeable advises and the quality of the services, as well as the more intimate and personable experience a wine boutique store usually provides.(****)

Remember, that, unless the bottle standing up (that you are about to grab) is the last remaining bottle of the wine you really want in the store, and you don’t have any other choice, and you want it so badly, that, no matter what, you will take it anyway..... then, it is the bottle laying down that you would want and should take, not the one standing up

PS: in fact, leave the standing up ones for those who do not know better, don't care, don't want to listen and/or will not believe you even if you tell them anyway....


Enjoy!

(****) Matthew La Sorsa, owner of Heights Chateau, if you ever read this article, thank you for everything you taught me about wines and how to manage a retail store and for the opportunity you gave me to be the wine director and manager of your beautiful and characteristic wine boutique store in Brooklyn Heights (NYC) back then, for nearly 4 years (between October 2007 and July 2011). Thank you. The drawing above was inspired by the façade of your store. 😊


Santé!

LeDomduVin (a.k.a. Dominique Noel)

All illustrations and pictures and other materials used in LeDomduVin blog and other relative LeDomduVin sites and/or social medias/networks are subject to copyrights ©LeDomduVin


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Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Thursday, December 9, 2010

"Sweet" and "Fruity": two misleading and misused words in the wine vocabulary of the everyday average wine consumers & Short Simplified Wine Lexicon


"Sweet" and "Fruity": two misleading and misused words
in the wine vocabulary of the everyday average wine consumers,
more especially when it comes to dry wines.

Is it a dry wine? It is not too fruity, I hope? Is it really fruity? I hope it is not too sweet? Is it sweet?

These justifiable, yet somewhat annoying, and recurring questions come back way too often, in my opinions, in wine stores or restaurants and other eateries, and I think it is time to kill a myth!

“Sweet” and especially “fruity” are two misleading and misused words in the wine vocabulary of the everyday average wine consumers, more especially when it comes to dry wines. Especially in the US market, where sugar is omnipresent everywhere in everything you can eat or drink.

Surely they are not the only one, but the American's palate is usually quite inclined to sweeter things. More especially when it comes to wine, due to, unfortunately, lack of good wine education and lack of real interest from the average consumers up until the beginning of last decade. Although, I must say, it is way much better now and I will develop further by saying that: the average New Yorker, drinking wines from all around the world, is surely more knowledgeable than the average French, who generally get some pride in drinking wines locally made in his or her region of origin, i.e.: a "Bordelais" usually drinks Bordeaux and rarely Burgundy, or someone from the Loire will rarely taste Rhone wines, and Vice Versa...).

The fault is also to be put on the fact that Americans have way too many occasions to encounter “White Zinfandel” and “Manischewitz” and other so called “flavored wines” and “jug wines”, which taste more like sugar products vaguely tasting like grape juice, rather than proper wines.

When wine amateurs, connoisseurs and professionals talk about sweet wines (whether white, rosé, red or sparkling) they usually refer to dessert wines or fortified wines or muted wines or naturally sweet wines, which underwent certain types of fermentation and vinification to achieve desired styles of sweet wine.

Some are very well-known like, just to name a few: Sauternes in Bordeaux, Monbazillac in Bergerac; Coteaux du Layon and Vouvray in the Loire; Muscat de Beaume de Venise in the Rhone; Banyuls, Muscat de Rivesalte and Maury in the Roussillon; Jurançon in the Southwest of France; Tokaji in Hungary; Port in Portugal; Sherry-Jerez in Spain; Muscato and Vin Santo in Italy; Muscat in Greece; and many more, etc..

Yet, it seems that every-time a consumer enter a wine store, (educated or not; or having minimum wine knowledge or not), if he or she asks if a wine is fruity or sweet, they often refer to sweetness in dry wines, thinking about sugar. Well it is a big misconception.

Sweet: usually means “with sugar”, yet in wine vocabulary it predominantly refers to ripeness. And ripeness mainly refers to the ripeness and opulence of the fruit aromas and flavors when you taste the wine. Ripeness often replace the word sweet, referencing about the natural sweetness of the wine because of the ripeness of the grapes at harvest time and the fruity sensation procured in the palate due to that ripeness, not because of the residual sugar in the wine once bottled. In fact, sweet is only used to characterize specifically certain wines, usually sweet wines for the reasons cited above.

And "Fruity" is also a misconception of sweetness. Any dry still or sparkling wines can be fruity without referencing the sweetness. Fruity in wine vocabulary refers to the fruit sensation in the palate often paired with juiciness, not the amount of sweetness that your taste buds may have sensed while tasting. For example, Sauvignon based wines are usually very dry; some can be very lemony, grassy and green with high acidity yet they remain fruity. High elevation wines that are crisp, refreshing, rather light and full of minerals can also be very dry, lean and acidic yet they are fruity. Meaning that you can still feel the sensation of fruit in the palate, even if minimal compared to riper, fuller wines.

By definition, except when desired for some, most wines are dry, because the fermentation process during the vinification is the action of the yeasts and other bacterias to transform the residual sugar of grape juice unto alcohol. Which means that sugar level during fermentation will diminish while alcohol level will increase, and hopefully in most cases, will stop naturally around the desired percentage of alcohol (11.5 to 14.5%+ depending of the wine, its area of origin, the rules of the appellation of origin and desired producer's style).

Although, lately, with the rising of the temperatures and climate changes, certain wines have higher alcohol content. Also certain regions started to produce wines where it will not have been possible 20-30 years ago. It is partly due to the evolution of techniques, but mainly to the adaptability of the Vitis Vinifera and other species of Vitis which can sustain the most extreme conditions (Terroir, soil, climate and temperature variations, etc...). And last but not least, it is also due to the daring human ambitions to continuously experience everything everywhere and the constant demand from the market to explore new frontiers and new flavors.

Therefore, unless obtained because of the producer’s desired style or the region’s ancestral traditions of sweet and/or fortified and/or muted and /or Naturally sweet wines (Sauternes, Tokaji, Ice Wine, Muscat, Porto, Banyuls, etc…); or even because a specific region’s climate, Terroir and appropriate grape varieties are commanding for a certain amount of natural residual sugar during and/or after fermentation; or because the appellation or area of production authorizes Chaptalization (which means the addition of sugar during fermentation to increase sugar content of the wine’s must to increase sweetness and alcohol level); or because, at last, the vintage was mediocre and a bit of sugar should enhance the fruit in the final product without altering it; most produced wines are dry, not "sweet" nor "fruity" (in the sense of sweet).

I will repeat it one more time to kill the myth and "obliviate" (see Harry Potter) this recurring misconception: Unless due to all the above conditions, traditions, styles and other ancestral methods, most of the wines produce in the world are dry, NOT sweet. And fruity, in most scenarios, and more especially in the wine language and lexicon used by most wine amateurs and connoisseurs, Sommeliers, Wine Buyers and other wine professionals, “fruity” doesn’t mean sweet. Proof is when you bite a lemon or even better, a lime: it is juicy and fruity (because it is a fruit), yet it is sour (but still, fruity and definitely not sweet).

Think about it next time your in a store. Whatever you may think and whether or not you agree with me after reading this post, my point does make sense: sweet and fruity are definitely two misleading and misused words in the wine vocabulary of the everyday average wine consumers, especially when it comes to dry wines (sweet refer to ripeness and fruity doesn't mean sweet).

Amongst the 195 (or 194 depending if you include Taiwan or not) countries that are in the world, 70+ of them produce some wines that are predominantly still and sparkling dry wines, only few of them produce mainly sweet wines.

These 70+ wine-producing countries are led by a pack of 20 countries that are the most productive and surely some of the most anciently established wine-producing countries. And most of them produce mainly dry wines, with a few sweet, except some countries of the eastern part of Europe, which do it more by traditions and appropriate climate and Terroir. But even that is changing. They are now producing more dry wines due to the demand of the world market.

Here is the list of the 70(+) wine-producing countries, for your own knowledge, by Alphabetical order (it is easier and will avoid conflicts). You probably known most of them but I’m sure that you might be surprised:

Albania, Algeria, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bolivia, Bosnia Herzegovina, Brazil, Bulgaria, Canada, Chile, China, Croatia, Cuba, Cyprus, Czech Republic, Egypt, Ethiopia, France, Georgia, Germany, Greece, Hungary, India, Israel, Italy, Japan, Kazakhstan, Kyrgyzstan, Lebanon, Liechtenstein, Lithuania, Luxembourg, Macedonia, Madagascar, Malta, Syria, Mexico, Moldova, Morocco, New Zealand, Panama, Paraguay, Peru, Portugal, Reunion Romania, Russia, Serbia and Montenegro, Slovakia, Slovenia, South Africa, Spain, Switzerland, Tajikistan, The Netherlands, Tunisia, Turkey, Turkmenistan, Ukraine, United kingdom, United States, Uruguay, Uzbekistan, Venezuela, Zimbabwe

As I say earlier, all these 70(+) wine producing countries produce more dry wines all together than sweet wines. Therefore, to kill the myth of the misleading and misused words “sweet” and “fruity” in wine, and rectify the meaning of certain words that you may have heard some many times by your local wine specialist, without really or fully understanding what he or she meant; here is my little lexicon of wine vocabulary and the meaning of some of these metaphorical words that can somewhat sound quite obscure without an explanation.


Short Simplified Wine Lexicon

  • Sweet: usually means “with sugar”, yet in wine vocabulary it predominantly refers to ripeness.
  • Ripeness: refers to the ripeness and opulence of the fruit aromas and flavors; it often replace the word sweet, referencing the natural sweetness of the wine because of the ripeness of the grapes at harvest time, not because of the residual sugar in the wine once bottled.
  • Fruity: doesn’t mean that the wine is necessarily sweet, in the sense of sugary. It may evoke the sweetness of the fruit flavor in the wine because of its ripeness, opulence and juiciness; but once again doesn’t mean that the wine is necessarily sweet, it just refers to a certain fruitiness and/or ripeness with more fruit present in the palate than acidity or tannins, common indicator of dryness.
  • Opulence: refers somewhat to the texture, but more precisely to the bold structure of a generous wine made from really ripe grapes or because the grape variety generate opulence (Zinfandel, Petite Syrah, Garnacha, Monastrell, etc…).
  • Refreshing: usually refers to great or higher acidity, within lighter white or red or rosé wines, sensation of freshness or brightness in the palate.
  • Acidity: puckering and sour if not properly focus and integrated with the fruit, it is still a very important element of the wine, which allows freshness, crispiness, brightness, vibrancy, delicateness, and focus of the wine, part important of the texture and the structure like the tannins. It allows for long age potential.
  • Tannins: green if unripe, they can be sour, green, bitter, tight and too present. Yet if integrated to the fruit and combined with the acidity, they enhance the wine, consolidate its texture and frame is structure. It allows for long age potential.
  • Disjointed: when all components, fruit, acid, tannins and other parts of the wine are not harmoniously intermingled together.

To be continued…. (it is too late now, I have to go to bed but I will complete and develop it soon, promises).

Enjoy!

LeDom du Vin

Step into the Green! Drink more Biodynamic, Biologique and Organic wines (and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Thursday, October 14, 2010

A few wine tasting tips to perfect your memory, taste and vocabulary

Recently, while looking through all my tasting notes and books of tastings, I realized that I pretty much kept most of my wine descriptions since 1997. That’s a lot of wines, champagnes, beers, spirits and other beverages tasted over the last 14 years.

I approximately tasted between 3600 and 4500(+) wines a year, which represents about 9-12 wines a day, without necessarily always counting or writing about the ones that I drank during lunches or dinners with family and/or friends. Sometimes even more when traveling in France and Spain (and elsewhere) to taste multiple wines at the barrel in the Chateaux and wineries’ cellars and during many special tastings where sometimes the amount of wines exceeded 300 different labels. But it is not much compared to professional critics who can taste easily up to 10,000+ wines a year, which represent more than 27 wines a day.

You may wonder how critics and wine buyers like me can taste so many wines and spirits in a year without being alcoholic or drunk pretty much everyday? Well, it is easy, when tasting wine and spirits, the secret is that you have to spit, and you have to be diligent at it.

The high numbers are easier to access than you may think. A few weeks ago, I went to a few portfolio tastings over a period of 2-3 days (Weygandt Selections, David Bowler Wine, etc..). Each portfolio tasting had about 14-18 tables showcasing between 8 to 12 wines, which represent between 112 and 216 wines depending on the number of different wines, labels and brands per table. But I also went to a much bigger tasting (Martin Scott Wines) held at the Lincoln center, where they had more than 75 tables… I let you imagine the amount of wine tasted there.


Me (LeDom du Vin aka Dominique Noël at Lincoln Center, New York, Martin Scott tasting)


After spiting, the other secret is to possess discriminating tasting attributes, nose and palate, which will hallow you to quickly dissect each tasted wine in a matter of seconds rather than minutes. For some people, the olfactory sensation, better known as the scents and aromas perceived by the olfactory receptors in the nose, represents about 50-60% of the quality of the wine and the rest is dictated by the taste buds.

In my opinion, the nose only represents 25% and the remaining 75% constitute the gustatory sensation, better known as the sensation that results when taste buds in the tongue and throat convey information about the chemical composition of a soluble stimulus during its short journey through the palate. In clear the most important and usually most memorable part. Because, even if you and I could spend hours conversing about the bouquet of certain intriguing and/or very expressive wines on the nose, at the end of the day, you don’t only smell wine, you drink it!

The palate is mostly everything to me, and the more accurate and sharp your palate is, the better to precisely assess the quality of a wine. As a consumer, you may make mistake and be disappointed when drinking a wine not to your liking. As a wine buyer, this is my job to make sure that I completely understand and comprehend a wide array of wines ranging from the lightest, more acidic, bright and crisp wines to the heaviest, bold, powerful and opulent ones.

Tasting is everything and it is the only way you will educate and sharpen your palate and learn about what you like and how you like it. Reading is the second best way to complement and increase your knowledge. Despite the fact that “The World Atlas of Wine” by Hugh Johnson and Jancis Robinson, and the “Oxford Companion of Wine” by Jancis Robinson, remain in my opinion the most comprehensible and authoritative wine bibles in the market, (both that I profoundly respect and that I met quite a few times in tastings on both sides of the Atlantic ocean but also as customers when I was a Sommelier in London), ...there are plenty of other great authors out there.

In the wine world, it is impossible to generalize, as it is impossible to be specific about certain colors, aromas and flavors, because it all comes down to personal perception and interpretation. Each of us has his or her own way to interpret the different olfactory and gustatory sensations transmitted to our brain. For example, where most of us will distinctly smell cherry fruit aromas in a red wine, some of us may say that it smells like red cherry, while other will say ripe dark cherry, as other may even say raspberry or blackberry. But only the most educated nose and palate will really make the difference.

A great way to transform your palate into a discriminating mean tasting machine is to observe, smell, taste and record in your brain all the colors, scents, aromas, tastes, sensations and flavors in everything that you can see, smell and eat. In short open your eyes, clear your nostrils and awake your taste buds, and remain open minded to everything all the time.

Do not say, I do not like that type of grape or region or wine, because you never know, you might be agreeably surprised by something you previously thought was not to your taste. As I said previously, do not generalize or be too specific, just go with your feelings and sensations and try not to be influenced by the price, the region of origin, the winery and more especially the ratings.

More than anything about it, don't be snob! Wine is a noble yet humble agricultural product usually crafted by hearty and earthy, down-to-earth people who spend most of their time in contact with Mother Nature to extract the best from the soil and the vines. And every-year, winemakers have only one shot to succeed producing the best wines they can. Nothing snob about it. They are magicians that allow us to drink the fruit of their labor which will become a moment of sharing and happiness once in our glasses drinking with family and/or friends.

Here is my simple yet undeniably useful tasting technique that consists of looking, smelling and tasting and recording in your brain all the colors, scents, aromas, tastes, sensations and flavors in everything that you can see, smell and eat, everywhere you go (note how important this sentence is; it is the 3rd time that I use it in this post).

As much as I can, diligently, I try to do it with my 4 years old kid, like my grandfather did it with me. It is fun and interesting, and may even surprise you. Where ever you are: in town or in the countryside, at the local green-market or at the supermarket, or visiting a local farm or a winery, just take the time to observe, smell, taste and record in your brain all the colors, scents, aromas, tastes, sensations and flavors in everything that you can see, smell and eat.

Observe and learn how to recognize plants, fruits, herbs, vegetables and meats: their color, their smell and more especially their taste. Record their distinctive smell and taste, and slowly learn how to recognize them in wine (spirits and other beverages). Mother Nature is a natural display of color, smell and taste at your disposal everyday and pretty much everywhere. And wine color, smell and taste are greatly influenced by the type of soil but more especially by the immediate nature that surrounds the vines from which the wine was made from.

When you look, smell and taste something, even meat, just take your time to appreciate it and define the sensations and impressions that it procures you. Your vocabulary will be enhanced by your knowledge and your aptitude to recognize the smell and taste that you previously record. Do not doubt yourself, your first guess is surely the best, because it is the first image triggered by your mind. At first, you may only smell apple or citrus in a white wine, but if you concentrate a little you might find other nuances and aromas complementing your first impression.

Do not feel that other may know better, because you have a different impression. It is just a question of personal interpretation and your palate will always differ from someone else. Moreover, your taste buds (or gustatory papillae) detect predominantly the four major tastes: Acidity, Sour, Sugar and Salt; but it is the harmony and balance and complementarity of each element and the final overall sensation (from the attack to the finish) of the wine that is important. Yet here again, each of us will have his or her personal experiences and points of view, but some patterns of smell and taste may be similar because more distinct, even to two different palates.

Of course, after century of debates and innumerable tastings, wine vocabulary now follows certain worldly recognized patterns, which have been divided in a few specific categories by various persons within the 20th century. Imitating Mother Nature most precious gifts (color, smell and taste), the two most notorious accessories manly created, that you can also use at home, (but definitely not better than real fruits, vegetables, herbs and meats), are:

  • Le Nez du Vin - The definitive world renowned olfactory wine essence kit. Kit choices feature the common essences or smells of the great wine growing regions of the world. Developed by world-renowned French wine expert, Jean Lenoir, each kit contains small vials of essences, which replicate the complex array of aromas and esters found in wine. Each kit consists of a number of different aromas (ex. clove, cassis, cherry, etc.), a small booklet giving a scientific presentation of recent research and descriptors of each wine aroma. This is a great aid for both the novice and professional enthusiast!
  • Ann C. Noble aroma wheel - The Aroma Wheel provides a visual graphic of the different categories and aroma components that one can encounter in wine. Both professionals and amateur wine tasters used this standardized terminology. The wheel breaks down wine aromas into 12 basic categories and then further sub-divided into different aromas that can fall into those main categories. The aroma wheel is obviously only for aromas but can be also used for some flavors.

The following list, which is in no way exhaustive, resumes some of the most common aromas and flavors you may find in wine. It should help you refine your wine vocabulary and help you to be more specific (whenever you can). Some categories may overlap or contain similar aromas and flavors.

  • Chemical – Includes aromas like sulfur, petroleum, copper, etc…
  • Pungent – Aromas like alcohol, volatile acidity, vinegar, etc…
  • Oxidized – Aromas like acetaldehyde, slight nuttiness, madeirisation, etc…
  • Microbiological – Aromas like yeast, lactic acid, Brettanomyces, etc…
  • Floral – Aromas geranium, blossom, violet, rose, linalool, etc…
  • Spicy – Aromas like licorice, anise, cinnamon, cumin, etc…
  • Fruity – Aromas like red and black cherry, strawberry, blackberry, raspberry, blackcurrant, blueberry, plum, prune, pomegranate, elderberries, bramble fruit, stone fruit, mango, citrus, orange, pear, apple, peach, apricot, tomato, etc…
  • Vegetative – Aromas like eucalyptus, artichoke, tobacco leaf, green bell pepper, freshly mown grass, black or white pepper, mint, etc…
  • Nutty – Aromas like walnut, hazelnut, chocolate, etc…
  • Caramelized – Aromas like butterscotch, molasses, etc…
  • Woody – Aromas often imparted by oak like vanilla, coffee, smoke, tobacco, etc…
  • Earthy – Aromas such as mushroom, underbrush, forest floor, mildew, leather, tar, pencil shavings, barnyard, farm, funky, truffles, etc…
  • Minerality – Minerals, wet stone, stony, flinty, siliceous, etc…
  • Herbal – Thyme, Rosemary, clove, mint, etc…

Now, armed with a few more words in your wine vocabulary and the simple yet undeniably useful technique of looking, smelling and tasting and recording in your brain all the colors, scents, aromas, tastes, sensations and flavors in everything that you can see, smell and eat, everywhere you go; you are fully ready to brave the wine world, explore the shelves of your local wine boutiques and supermarkets and more importantly impress your taste buds and yourself with new sensations that will make you a more accurate taster and help you define what you like best in the wines you enjoy drinking.

Have a good tasting, Enjoy!

LeDom du Vin

Remember also that if you are looking for a very specific wine or label or brand (spirits or any beverages), make sure to go to www.wine-searcher.com, which is in my opinion the most customer friendly website to find any wine in the world within the inventory listings of participating wine & spirits retailers across the globe. You can refine you search to New York only or anywhere else in the world. It's pretty neat.

Step into the Green! Drink more Biodynamic, Biologique and Organic wines (and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide.