Showing posts with label #wineeducation. Show all posts
Showing posts with label #wineeducation. Show all posts

Monday, August 25, 2025

LeDomduVin: Bordeaux vs Burgundy Series (# 3) - The Eternal Rivalry

 

BORDEAUX vs BURGUNDY
SERIES # 3



Bordeaux vs Burgundy: The Eternal Rivalry!


I recently had an interesting conversation about Bordeaux bashing and the comparison between Bordeaux and Burgundy, which inspired me to create the illustration above and write this post.

We discussed the various problems that both regions have faced over the last decade and attempted to compare them, ultimately trying to dispel the misconception of rivalry between the two.   

Starting with climate change, then delving into administrative, market & economic challenges, and concluding the conversation by exchanging our views and opinions about the region's respective images, reputations, and pricing strategies in today's world.  

In this post, I am retranscribing that discussion, providing further details and facts with my own views, opinions, and perspectives, as I typically do.

Note: Some readers may disagree with my opinions or how I present them in this post, particularly about Bordeaux. However, I am a native of Bordeaux and have been promoting Bordeaux wines and the region through tasting, visiting, buying, selling, serving, and drinking Bordeaux wines for over 30 years across three continents. 

Therefore, please read carefully before judging, as I am not trying to be disrespectful; I simply aim to present the facts, state them as they are, and be as factual as possible. Ultimately, my voice and words are just one among many that have been calling for changes for years, urging Bordeaux to adapt to shifting market conditions, update its image, and find innovative solutions for a more resilient future.      


Climate change and weather patterns


Bordeaux has a milder, more humid maritime climate over a generally flat topography (especially the left bank, as the right bank has some hills and valleys) influenced by the Atlantic Ocean, the Garonne and Dordogne rivers, and the Gironde estuary, which moderates the weather, resulting in mild winters and warm summers, with some heavy rainfall usually in winter and spring. It can also rain during the summer, in the form of light showers or occasional thunderstorms, but rainfall typically decreases from June to August. 

Although Bordeaux usually enjoys beautiful, warm, and dry "Indian Summers," the rain that sometimes occurs during the harvest, typically late September or early October, is the fear of all producers, as light occasional showers may benefit the vineyards and the grapes, but days of rain at that time can also be disastrous. The moderating influence of the ocean, the estuary, and both rivers helps create a consistent, warm climate, which, combined with the topography and the gravelly soils on the Left Bank and clay-rich soils on the Right Bank, is suitable for late-ripening grapes, such as Cabernet Sauvignon, Cabernet Franc, and Merlot. 

On the other hand, with its cooler, continental climate, Burgundy experiences more extreme temperatures, with cold winters and hot summers. The climate is more unpredictable and challenging, often bringing cold winters and the threat of spring frost. Nonetheless, summers tend to be dry and sunny, which is essential since many of Burgundy's most prized vineyards are located on slopes facing east or southeast. This positioning maximizes the morning sun and provides plenty of light for grape ripening, until late afternoon when the sun passes behind the mountain to the west, casting shadows over the vineyards. 

Compared to Bordeaux, Burgundy is characterized by rolling hills and gentle slopes that create a mosaic of diverse vineyard sites and microclimates. Its defining geological feature is a limestone-rich soil, which is a result of ancient marine deposits from a Jurassic-era lagoon, often mixed with marl and clay, contributing a distinctive minerality to the wines. This makes it an ideal region suitable for delicate, early-ripening varieties, such as Pinot Noir and Chardonnay. 
 
In terms of weather patterns, like most regions in France and around the world, both Bordeaux and Burgundy have experienced the accelerating effects of climate change in their own unique ways, particularly over the last decade. In fact, they have experienced them for over 40 years, as the acceleration of these effects occurred at the begining of the 80s, and each decade has been hotter and thus more challenging than the previous one, ever since.

This trend of increasingly warmer decades has been a consistent pattern since the 1980s. The rate of warming has sped up, with the rate for 1981-2020 about 0.4°C per decade (that's +1.2°C in 40 years), compared to earlier periods. The global average temperature has risen significantly over the last decade, with 2011-2020 being the warmest on record, approximately 1.09°C above the 1850-1900 pre-industrial average, according to the IPCC (Intergovernmental Panel on Climate Change). 

And for the 2020s, each year has been hotter than the last so far, with 2024 being the hottest year on record (partly due to a strong "El Niño" event). Global temperatures have exceeded the pre-industrial average by approximately 1.55 degrees Celsius, marking the first time this 1.5°C threshold was crossed in a calendar year.

The increasingly unpredictable weather patterns have resulted in more frequent challenges, including frost, hail, storms, rain, floods, and droughts, in both regions. These shifts and conditions, notably higher temperatures, more frequent droughts, and severe heatwaves, disrupt the vine's growth cycle during late spring and summer, resulting in lower yields, premature grape ripening, and/or over-ripening. 

Meanwhile, more frequent hail and rainstorms, as well as floods and high humidity, in spring, summer, and early autumn during harvest time, increase the risk of damaging the vine shoots, lowering yields, and dilution, as well as diseases such as downy mildew. This variability has made it more challenging for winemakers to maintain consistent quality, resulting in increased vineyard work and labor costs, and requiring greater attention and vigilance to protect the harvest.   

These situations also require financial means to cover the costs of machinery, products, and labor, among other expenses, which have increased due to higher demand in recent years, resulting from the higher frequency of these events and putting producers in a dire situation.    

Climate change and changing weather patterns are concerning issues because they directly affect the vineyards. However, Bordeaux and Burgundy also face other challenges, such as administrative, market, and economic issues. 

Let's begin with Bordeaux since it's a region I know better than Burgundy.   





Administrative, Market & Economic challenges


Bordeaux has struggled with declining consumer demand, particularly among younger generations, due to shifts in consumer habits, high prices, and changing financial opportunities. It also suffers from its outdated, traditionalist, and aristocratic image, and has significant issues with its "En Primeur" system and classification. 

Bordeaux "En Primeur" wines are overpriced, stagnant, and disconnected from release prices, leading to reduced demand and a flooded secondary market. Recent vintages have frequently been launched at prices that are too high, disconnected from what consumers are willing to pay. 

This overpricing has caused demand to stagnate, with many wines from recent vintages trading at prices lower than their initial release prices, leading to unplanned unsold wine stocks. As a result, rising storage and borrowing costs put financial pressure on the system, especially when stock remains unsold and loses value while stored. 

Despite some late efforts to lower the release prices for the 2024 vintage, the high release prices of previous vintages, such as recent ones (2021, 2022, and 2023), and the price stagnation or decline in the secondary market, have resulted in wineries and merchants alike still having large stocks of unsold wine. Weak demand and unfavorable global market conditions created a situation where buyers are unwilling to pay high prices for these wines.    

The system's reliance on traditional intermediaries, such as courtiers and négociants, is seen as an outdated, lack of transparency model that creates barriers between producers and consumers, resulting in financial strain and alienating modern consumers. 

The system, which sells wines "en primeur" before they are bottled, has been undermined by the availability of back vintages that are now selling for less than release prices, making consumers wary of buying unfinished wines. 

Other issues include the long wait for delivery, uncertainty about the final wine quality before bottling, and a shift in top producers' preferences for direct-to-consumer sales or subscription models, which challenge the traditional model's long-term viability.  

Bordeaux classification problems stem from the 1855 classification's static nature, which fails to account for over 170 years of evolving quality, winemaking, vineyard management, and ownership changes, leading to a disconnect between official status and current quality. Key issues include outdated rankings, the omission of Right Bank wines, market distortions where status and prices outweigh merit and even quality, confusion caused by younger and more dynamic classifications such as those in Saint-Émilion, and controversies surrounding the rankings, demotions, and withdrawals from the system. 

The 1855 classification has remained largely unchanged since its creation, despite significant advancements in winemaking, vineyard management, and shifts in estate ownership, quality, and size over the past 170 years. Many estates have significantly improved their quality, yet their classification has remained the same, while some classified estates may have declined relative to non-classified ones. 

The 1855 classification also excluded Right Bank wines, such as those from St-Emilion, and other wine regions from Bordeaux. The staticity of this classification system creates market confusion and leads to status mattering more than the actual wine quality, causing price distortions. 

Additionally, wine styles in 1855 were quite different from those today, featuring lower alcohol levels and less tannic wines. Bordeaux wine's alcohol content has increased from traditionally lower levels, around 12-12.5%, to modern averages closer to 14%. 

This trend has been gradually driven by various factors, including rising global temperatures—especially since the mid-1980s, around 1985 and 1989—leading to increased grape ripeness and higher sugar content. It has also been influenced by changes in winemaking techniques, vineyard and cellar management, and consumer tastes shaped by influential wine critics, which drove demand for more powerful wines and encouraged growers to pursue higher alcohol levels, longer oak ageing period, and the use of more toasted new oak barrels (a trend coming from the US in force in the 80s and 90s). 

This trend also introduced or further developed the concept of second and third labels, as well as the second and third wines made from grapes grown on younger vines or from vineyard sections that didn’t quite meet the standards of the Grand Vin, but still received the same meticulous care and winemaking process. 

This allowed the château to enhance the quality, complexity, and aging potential of the Grand Vin, while offering wines of similar quality that were less complex and more suitable for early drinking. This created options for wines at different price points and quality levels. This practice, still used today, also helped generate revenue to support the estate while waiting for the release of the Grand Vin.

For example, Château Latour created its second wine, "Les Forts de Latour," in 1966, and its third wine, "Pauillac" de Latour, in 1989 (or 1990, depending on the source).         

Moreover, the classification is outdated, as many estates have changed hands and vineyard sizes have increased dramatically since 1855. Some small estates have been merged into larger ones, while others have been acquired by wealthy individuals and large corporations. Although these mergers aimed to create larger, more economically viable properties, improve production capabilities, enhance reputation, and diversify operations for greater financial and social success, the outcomes often varied, impacting, in some cases, both the quality and consistency of the wines, despite overall improvements in production. 

As for the other classifications, while newer, the Graves Classification, established in 1953, revised in 1959, and refined by the creation of the Pessac-Leognan appellation in 1987, offers no quality distinction, listing all classified estates with the same status despite inherent quality variations. 

The Saint-Émilion classification, established in 1955 and revised in 1958, is periodically reassessed roughly every 10 years. The list was updated in 1969, 1986, 1996, 2006, 2012, and 2022. However, it has faced issues with a confusing A/B rating system and controversy over rankings, demotions, legal challenges, and even withdrawals by top estates, like Château Cheval Blanc and Ausone in 2021, followed by Angelus in 2022, due to disagreements with the system, which they felt had become a source of conflict and instability instead of progress. 

Some estates, with strong brand recognition, no longer rely on official classifications, further weakening the system's relevance. For example, Château Lafleur announced just a few days ago that it had left the Bordeaux Appellation System and revoked its status as a Pomerol and Bordeaux wine, selling all six of its labels as Vin de France from the 2025 vintage onwards. This move responds to the accelerating impacts of climate change and the increasing restrictions imposed by the Appellation d'Origine Contrôlée/Protégée (AOC/AOP) system, as mandated by the Institut National de l'Origine et de la Qualité (INAO). 

More estates may follow if things don't change and the restrictions are not relaxed in the coming years.  It is too soon to figure out whether they were right to do so. Some take it as a threat to the appellation; others applaud their bold decision to step out. Good or bad thing? Time will tell.    

Additionally, over the past 25 years, the rest of the world has followed suit in producing wines, with more than 80 countries (out of 195 worldwide) now making their own, resulting in overproduction, increased national consumption, and reduced imports from other countries. China, for example, which used to import countless containers of Bordeaux wines in the 2010s, is now relying more on its own wines. The problem is that high demand from markets like China in previous years supported increased Bordeaux release prices for certain vintages, but this is no longer the case.   

Climate change, geopolitical situations, financial crises, global inflation, taxes, tariffs, overproduction, and other factors, such as changes in consumption habits and growing health concerns in the young generations, have led to a global surplus of wine and unsold stocks (in both wineries and merchants' warehouses around the world), weakening the market.   

As a result, facing an excess of wine, some Bordeaux producers have turned to diversifying their crops and offering products like zero- or low-alcohol alternatives, more appealing to a younger audience, to meet demand, or, in the worst cases, have chosen distillation or even uprooting vineyards to control their supply, focus on other crops and avoid having to shut down.  

The uprooting of vineyards in Bordeaux is being carried out in accordance with a French government-funded program aimed at addressing overproduction, declining domestic and international demand, global inflation, high prices, financial priorities, health concerns, and shifting consumer preferences that favor other beverages or simply can no longer afford wine in their monthly expenses. The program offers subsidies to winemakers for removing vines and repurposing the land. This strategic adjustment aims to stabilize the Bordeaux wine market by reducing supply and refocusing on higher-quality production. 

To summarize and conclude, over the past decade, Bordeaux wines have faced significant challenges, including the severe effects of climate change, which have led to volatile vintages and increased production costs. Additionally, there has been a global decline in demand, particularly from China, and an oversupply of red wines resulting from the downturn in domestic and export markets. 

All these factors (cited above) have resulted in falling prices for many wines, market saturation, and even government-funded vineyard uprooting programs aimed at addressing the imbalance between supply and demand. The continuously increasing restrictions imposed by the Appellation d'Origine Contrôlée/Protégée (AOC/AOP) system, as mandated by the Institut National de l'Origine et de la Qualité (INAO), are outdated, too strict, unflexible, and insufficient to address many of the challenges faced by vignerons.  

Therefore, yes, Bordeaux wine is experiencing a period of significant decline, characterized by decreasing sales, falling prices, and a record-low harvest in 2024, caused by disease and uprooting programs. The crisis stems from years of overproduction, resulting in strategic supply cuts and reduced vineyard acreage to combat declining demand, particularly for red wines, as well as shifting consumer preferences. 

Being a Bordeaux native, I have serious concerns about this situation. Although I have spent my 33-year career promoting Bordeaux wines, including both small and large châteaux, I can't help but think the situation is dire and could cause long-term damage to the vignerons, the region's economy, and the wine industry as a whole. In the meantime, I hope for better days ahead. Wishing strength and courage to all Bordeaux vignerons.   



















Now, let's review the administrative, market, and economic challenges Burgundy has faced over the past decade, while comparing them to those of Bordeaux.    


While Burgundy faced challenges with high prices and the perception of artificial scarcity, despite its focus on small-scale luxury, it is not performing as poorly as Bordeaux. In fact, although both regions have encountered difficulties in the global fine wine market, particularly over the past five years (the post-COVID period has been challenging for all wine regions in France and around the world), Burgundy has shown signs of resilience and has even outperformed in recent years due to demand for its unique, rare wines. In contrast, Bordeaux has experienced a decline in market share, as well as fewer en primeur campaigns. 

Although both regions are currently facing a general market slowdown, Burgundy is regarded as a more resilient and desirable market for collectors, especially in the high-end, collectible segment. In a supply and demand-driven market, the limited production of Top Burgundy wines indeed makes it a more valuable investment over time, compared to Bordeaux, which produces larger quantities that can be easily found in the market decades after their release, even for the most sought-after chateaux in excellent vintages, thus limiting the price appreciation over time.  

While some producers only make a few thousand bottles of "Premier Cru" and even fewer of "Grand Cru," more renowned Bordeaux Chateaux, whether classified or not, such as "Petrus," already produce around 30,000 bottles annually from 11.3 hectares. This is relatively small for Bordeaux, but still quite significant compared to Burgundy, where, for example, Domaine de la Romanée-Conti produces approximately 5,000 to 6,000 bottles of Romanée-Conti per year from its 1.8-hectare vineyard. Only the Bordeaux properties nicknamed "garagists", such as "Le Pin", usually produce less than 10,000 bottles per year.  

The Bordeaux region is a significantly larger vineyard area than Burgundy, with larger average property sizes. Bordeaux boasts nearly 110,000 hectares (up to 125,000 hectares depending on the source) of vines and approximately 6100 wine estate owners and growers (+ 33 wine cooperatives regrouping an additional 2500 growers/producers), with a typical estate covering about 17 hectares. These figures reflect the diverse landscape of the region, which encompasses both large, internationally owned companies and smaller, family-owned estates that have been passed down through generations.  

In contrast, Burgundy's vineyard area is significantly smaller, at roughly 25,000 hectares in AOC vineyards (out of a total of 29,500 hectares planted), shared among about 4,000 domaines and cooperatives. In summary, Burgundy's vineyard area is roughly 4.5 times smaller than Bordeaux's, even though it has more than half the number of Bordeaux producers. 

Consequently, the domaines tend to be much smaller too, as 85% of its domaines are under 10 hectares, typically family-owned estates that have been passed down through generations. Compared to Bordeaux, which has a more stable system of inheritance, Burgundy suffered from its vineyards being divided among generations, thus increasing the scarcity of bottles and the prices from the top producers.   

Over the last two centuries, Burgundy properties, particularly vineyards, have been divided among generations primarily due to the Napoleonic Code, which mandated equal inheritance among all children, resulting in the continuous subdivision of land parcels with each passing generation. This law decreed that property must be divided equally among all heirs, breaking from the previous system, where only the eldest son was entitled to inherit.

This practice, which began in the early 1800s following the French Revolution, created the complex, fragmented ownership structure seen today, where even large Grand Cru vineyards, such as Clos de Vougeot, are divided into numerous small, independently owned plots (approximately 50 hectares, or 125 acres, split into over 100 parcels owned by about 80 proprietors).   

Despite what some well-known hyphenated family names on labels might suggest—like Fontaine-Gagnard or Bachelet-Monnot—and the common misconception that marriages between Burgundy heirs are mainly meant to preserve vineyards, as shown in fictional works like the film "Back to Burgundy" (Ce qui nous lie), to address inheritance tax issues and consolidate family holdings, this is not usually the case. 

In reality, the primary challenges to keeping vineyards in the family are inheritance taxes and land fragmentation resulting from Napoleonic inheritance laws, which impose significant financial burdens and create complex legal situations for heirs. 

When family estates are passed down, high inheritance taxes can force heirs to sell all or part of the business to cover the costs, especially if the property's value has increased significantly. The combination of expensive land and the need to pay taxes creates heavy financial pressure on families, sometimes causing them to sell to foreign investors. 

That's why marriage is sometimes seen as a way to link two separate family vineyards, creating a larger, more sustainable estate that's less likely to be sold. By marrying, one heir might gain access to the other family's financial resources, which could then be used to cover the hefty inheritance taxes that might otherwise force the sale of their own family's vineyards. If marriage isn't planned, heirs can agree to manage the property jointly, or one heir can purchase the shares of the others. 

Fortunately, recent changes to French inheritance laws and tax regulations, particularly the higher exemption limit, are helping Burgundy vintners preserve their family vineyards. If the situation becomes truly dire, external investment might be the only option remaining. While sometimes controversial, bringing in outside investors can provide the necessary funds to pay taxes and sustain the business. 



Like Bordeaux, Burgundy has also faced climate change-related challenges over the past decade, including spring frosts and excessive heat, which have led to significantly reduced and fluctuating wine yields. Other issues include supply shortages caused by these low yields, higher costs for new farming techniques to fight climate problems (such as expensive "candles" for frost protection), shifts in market demand for their wines, and the increasing influence of outside investors owning vineyards, which changes the traditional grower-proprietor model. Unfavorable weather conditions, including those driven by a changing climate, have increased disease pressure from problems such as downy mildew in some years. 

All these factors have significantly increased Burgundy's prices over the past decade. Generic Bourgogne has risen by 50-60%, while top-tier Grand Cru wines have doubled or more. This price surge is fueled by consistently low production, strong global demand for Burgundy's reputation and quality, and the scarce supply of wines from highly sought-after "cult" estates. Moreover, compared to Bordeaux, active auction markets and speculative collecting of premium Burgundies have further boosted prices. 
  
In short, Burgundy prices have skyrocketed over the last decade, while those of Bordeaux have plummeted. Yet, as Burgundy wine prices soar, we could be inclined to think that people might return to Bordeaux for better value. A situation that may entertain the illusion of rivalry between them.  

Ironically, even though Bordeaux offers more choices, greater availability, and often better quality than Burgundy in the under €20/bottle range, people still favor Burgundy wines, despite often coming with a higher price tag compared to those from Bordeaux. 

On average, Burgundy bottles tend to be more expensive than those of Bordeaux, especially at the high end, because Burgundy's limited production and high demand drive prices upward. While Bordeaux has many affordable entry-level options, Burgundy offers fewer, and even basic "Bourgogne" wines often cost more than the entry-level Bordeaux equivalents. 

The average price for a bottle of Bordeaux wine is usually around €10-15. However, the price can vary significantly based on factors like the specific château, vintage, vineyard quality, and whether it's a prestigious classified growth or a more accessible appellation.

In an ideal world, the quality and characteristics of a given year (the vintage) should significantly influence its price; however, this is not always the case. For example, the 2021 Bordeaux vintage was characterized by cooler conditions, resulting in wines that are more approachable but of lesser quality than the previous three vintages (2018, 2019, and 2020). 

However, Bordeaux made a major mistake, as the 2021 "En Primeur" release prices were far too high for the quality and expectations of this particular vintage, generally similar to or slightly lower (not even 10% less) than the 2020 vintage, with some estates releasing at the same price point, while others offered price decreases. This resulted in buyer dissatisfaction, poor sales, a loss of credibility, and an additional reason to contribute to the phenomenon of "Bordeaux bashing."   

The pricing strategy is another big difference between the two regions. While Burgundy remains relatively consistent in adjusting its prices depending on the quality of the vintage, production, and overall market demand, Bordeaux consistently increases its prices from one year to the next.

In recent years, Bordeaux en primeur (EP) prices for the 2018-2024 vintages have generally seen increases, criticism, and a disconnect from secondary market prices, with a market trend of prices falling in the years following their release, resulting in the dire situation we know now, with concerned buyers reluctant to buy or invest in Bordeaux any longer.  

In short, as 2018 was a great vintage, the EP release prices were significantly higher than in 2017, which was a much lesser vintage. Then, 2019 was also a great vintage, but not as praised as 2018, showing prices similar to or lower than those of 2018. Then 2020 arrived with a higher quality than 2019, and despite a handful of Châteaux setting the right example by releasing at a slightly lower price point than 2019, the rest of Bordeaux raised its prices again. 2021 was a lesser vintage than the previous three, but Bordeaux still chose not to significantly lower its prices compared to 2020. Then 2022 emerged as a "super vintage", one of these "vintage of the century" (the umpteenth since the beginning of this century), and prices went even higher than those of 2020. 

At this point, due to COVID-19, inflation, the global financial crisis, shifts in consumer habits, and other factors—including the outrageously high EP release prices, which caused buyers' dissatisfaction and confusion—Bordeaux sales and reputation declined sharply, leading to a drop in the market. Bordeaux attempted to significantly lower its prices for the 2023 vintage, which was of lower quality than the 2022 vintage, in an effort to revive the market, but it was unsuccessful. Then, in 2024, prices were even lower than those of 2023, addressing buyer caution and the high market prices of previous years. Still, some châteaux managed to set prices completely disconnected from the quality and expectations of the vintage once again.           

As a visual is worth a thousand words, I have created the table below to illustrate the rollercoaster inconsistency of Bordeaux prices over the past decade (2014-2024). It demonstrates, as mentioned many times before in previous posts on the same subject and about scores and ratings, that Bordeaux's incoherent prices are based solely on the quality and release price of the last vintage(s), without considering the intrinsic quality and value of the wine or the vintage itself. 

I used Mouton Rothschild as an example because it is part of the first growths, which typically show the most inconsistency in their prices. As part of the leading Chateaux (the so-called "locomotive of Bordeaux"), they establish the reference price points everyone else follows. They should therefore set a better example for all the others. But, except for a few rare exceptions, they usually don't.    







Don't you agree? Look at the table again and tell me. Isn't it ridiculous? It is. For example, 2021 was released at 2.9% cheaper than 2020, while 2020 is a far better vintage than 2021, so why is the 2021 so expensive? 2021 was released at a more expensive price than 2018 and at the same price as 2016, which are also considered far better vintages. And why was 2022 released at such a significantly higher price than 2018 and 2020, which are also great vintages? Was it worth it to deserve being sold for roughly 100 Euros more? I don't think so. Bordeaux should not be surprised if buyers are no longer willing to pay these prices. They shot themselves in the foot by doing so.     

I really think that Bordeaux should have reviewed its pricing strategy more than a decade ago and been more consistent over the years by adopting more reasonable "fixed" prices. For example, Mouton Rothschild should set its price between €380 and €420 in regular years (2015, 2018, 2020), then lower it between €310 and €350 in lesser years (2014, 2017, 2021, 2024) (or lower if they feel like it), and increase it between €450 and €480 maximum in greater years (2016, 2022), not go over €500, otherwise, there is no limit?    

I understand that the cost of life and production may have increased significantly since the COVID pandemic in 2020, due to all the challenges and reasons mentioned above (COVID, climate change, inflation, global financial and commercial crises, taxes, tariffs, wars, geopolitical issues, shifts in consumer preferences, health concerns, global overproduction, rules, restrictions, laws, etc.). 

However, despite efforts to substantially lower the prices of the 2023 and 2024 vintages to revive the market and restore buyer confidence in a market already weakened with declining sales over the last 3-4 vintages due to lack of demand and high prices disconnected from what consumers are willing to pay, the top Châteaux should communicate with each other and adopt a better market pricing strategy. They should avoid penalizing buyers with inconsistent prices and instead return to more reasonable pricing if they want Bordeaux to experience a renaissance, change its image, and thrive again, as it once did.     

The main problem with Bordeaux isn't the top 500 Châteaux, the so-called "locomotive of Bordeaux," which are the ones that sell the most and offer wines ranging from €50 to over €500 per bottle (release price), representing Bordeaux's image worldwide. These will always sell one way or another. 

The main issue with Bordeaux is the problems faced by the 6,000+ other Bordeaux estates, producers, and growers, mostly offering wines below €50, with a large majority selling only between €3 and €20. They struggle to sell their wines in the shadow of the famous ones, which tarnish Bordeaux's reputation with high prices and wrong, outdated image and marketing strategies. Most people think Bordeaux wines are expensive, the top ones, yes, but that is not the case for a vast majority of Bordeaux wines.  

As a result, there is an ocean of wines, bottles, and labels that have seen their market shrink both locally and internationally, and their prices fall despite all the climatic, political, financial, and economic challenges they have faced over the last decade.      




********work in progress********
 

Bordeaux and Burgundy are often seen as rivals. The rivalry between them is a centuries-old debate driven by their different philosophies, grape varieties, and winemaking styles. 

Still, "rivals" is a strong word; I prefer to call them friendly competitors because, in the end, they target similar but slightly different types of consumers, collectors, investors, and markets.      

This friendly competition, often viewed as a reflection of the broader French spirit—Bordeaux's bourgeois influence versus Burgundy's more aristocratic, sensual nature—provides wine enthusiasts with a rich choice between power and finesse, structure and delicacy, drinkability and age potential. 

It's a healthy competition where they observe and challenge each other to improve, despite their differences. Because there are no two wine regions that could be more different than these two.

Their philosophy differs in that Bordeaux focuses on blending grapes to create complexity and structure, with styles such as robust Cabernet Sauvignon-based reds from the Left Bank or Merlot-dominant wines from the Right Bank. Meanwhile, Burgundy emphasizes expressing a single vineyard's unique characteristics through single-varietal wines, highlighting the profound influence of terroir. 

Their grape varieties differ as Bordeaux is known for its bold, complex blends, usually featuring Cabernet Sauvignon and Merlot. At the same time, Burgundy is renowned for its elegant, terroir-driven single-varietal wines, particularly Chardonnay for whites and Pinot Noir for reds. 

Their terroirs differ, as Bordeaux is characterized by more uniform gravelly or clay-rich and limestone soils, with a weather pattern influenced by a maritime climate and the Gironde estuary, as well as the Dordogne and Garonne rivers. While Burgundy is renowned for its diverse soils and climates, with ancient monastic traditions meticulously mapping out vineyard plots to capture the subtle and unique differences of the various terroirs. 

Their cultural representations differ as Bordeaux is often associated with the bourgeois, dirigiste spirit, a more structured, serious approach to winemaking. While Burgundy is more commonly seen as representing a more peasant, sensual, and Rabelaisian aspect of the French soul, it produces aromatic, full-bodied, and sophisticated wines. 

Their classification systems differ, as Bordeaux has a famous classification system that has long been a standard in the wine world. While Burgundy has a classification system rooted in medieval monastic traditions, highlighting individual vineyards, or climats, which are often smaller and more intimately studied. 

In the end it is a friendly competition as While there is a clear and long-standing rivalry, it is largely a friendly one, with both regions representing the pinnacle of French wine production. Wine enthusiasts can find equally compelling reasons to appreciate both the power and structure of Bordeaux and the finesse and subtlety of Burgundy. 

The choice between them often depends on personal preference and the specific occasion. 

As Dany Rolland put it so well in a comment to my post on Facebook: "There are no real rivalries, but rather stories of tastes, opportunities... and these are two regions with historic, renowned vintages, which therefore fuel all the speculations of language and price, comparisons more than choices... if not cultural ones. This is the diversity." 


Let's hope consumers continue to appreciate both, as both Bordeaux and Burgundy deserve to remain leaders and inspirations in the global wine market.    

********work in progress*******









The post is currently in progress because it’s a controversial subject, and I want to stay as neutral as possible to avoid offending anyone, as I have worked all my life to promote both in my 33-year career.

However, if you're interested, I've already written two or three posts on this topic in recent years on my blog, as it has been a recurring subject for more than a decade.

I thought that the quote from Richelle Mead's book “The Golden Lily: A Bloodlines Novel” (2012) was remarkably insightful and very "À propos" for this illustration. 😊👍🍷







*****work in progress*****






Cheers! Santé! 

Dom



#ledomduvin @ledomduvin #lesillustrationsadom #lescreationsadom #lesdessinsadom #bordeaux #burgundy #bordeauxvsburgundy #wine #vin #vino #wein #wineclass #wineeducation #wineknowledge #winetraining



Unless stated otherwise, all right reserved ©LeDomduVin 2025 on all the contents above including, but not limited to, photos, pictures, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, drawings, illustrations, visuals, graphs, tables, and even music and video (when and where applicable).

Tuesday, February 18, 2025

LeDomduVin: L'importance de l'avinage de la carafe avant le carafage et/ou la décantation du vin





L'importance de l'avinage de la carafe avant le carafage et/ou la décantation du vin



L'importance de l'avinage de la carafe avant le carafage et/ou la décantation du vin, on en parle?

Je reposte cette vidéo (ci-dessous) que j'avais faite il y a quelques années sur l'importance de l'avinage de la carafe avant carafage ou décantation, car je viens encore de voir une vidéo professionnelle faite par un caviste, où il ne fait pas d'avinage de la carafe avant de procéder au carafage du vin.

Cela peut vous paraître anodin, mais c'est une étape importante du carafage et de la décantation qui est malheureusement souvent oubliée, voir inexistante dans la plupart des vidéos professionnelles et amateurs que j'ai pu voir sur YouTube et ailleurs, au restaurant et même dans les compétitions telles que les meilleurs Sommeliers du monde, par exemple.






Alors que pourtant, c'est une étape essentielle à la bonne réalisation du carafage et de la décantation, qui, de mon temps, était enseignée à l'école hôtelière et réalisée dans tous les bons restaurants, mais qui semble avoir disparue et/ou avoir été oubliée de nos jours.

Pourquoi je la qualifie d'importante et d'essentielle? Car elle permet de nettoyer la carafe de tous résidus potentiellement nuisibles au vin (poussière, eau, sel, détergent ou vinaigre si mal rincer, etc...) et d'imprégner les arômes du vin dans la carafe avant de procéder au carafage ou à la décantation du vin.

C'est une pratique que beaucoup de Sommeliers et autres professionnels du vin ne font pas ou plus, mais qui pourtant me semble logique et indispensable à la bonne préparation d'un vin (ayant besoin d'être carafer ou décanter) avant son service, et que j'aimerais bien voir remise au goût du jour.

Pour ou contre? Dites moi ce que vous en pensez en commentaires.

Voici la video: 






Prenez soin de vous, et surtout, avinez la carafe avant de procéder au carafage ou à la décantation de vos vins. C'est important!

Cheers! Santé!

Dom

@ledomduvin #ledomduvin #aviner #avinage #carafer #carafage #decantation #decanter #vin #wine #vino #wein #sommelier #sommelierlife #sommlife #wineknowledge #wineeducation



Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Thursday, August 15, 2024

LeDomduVin: Bubbly foam pattern (froth) on top of the wine in the glass after using Coravin




Bubbly foam pattern (froth) on top of the wine

 in the glass after using Coravin




Have you ever experienced a bubbly foam pattern (froth) on top of the wine in the glass after using Coravin?

If not, know that it may happen; even if your glass is spotlessly clean, it has nothing to do with the wine, and this is usually the reason why.

It is usually due to a slight excess of gas released into the glass before or after pouring the wine. If the wine is frothy at first (like in the picture), you might press the Coravin button too hard or too many times.

You're supposed to tap the button, wait for the wine to stop pouring, tap again, and so on until you've poured your desired amount.

This method is a bit slow, but you're not supposed to hold the button down or quickly press it multiple times while pouring the wine. Otherwise, you will release this excess of gas.

To prevent foam, press the button once before pouring the wine to release the excess gas in the air rather than in the glass; then, you can pour the wine into the glass. It might take some practice before you get used to it and become a pro at using Coravin.

If you always get the frothy pattern, do not panic. The argon gas used in Coravin is inert, colorless, odorless, and nonreactive, so it has no adverse effects on the wine.






And for those who are not familiar with Argon, here are a few facts:

Argon is added to wine to displace air. Because it is denser than air, it settles above the liquid, protecting the wine from souring and oxidation.

This method often preserves open wine and liquid bottles in bars, restaurants, and even barrels in wineries.

Argon does not dissolve in wine and, therefore, provides a long-term blanket of protection for the wine.

As for the time of preservation, Coravin claims to "preserve wine for months", yet from personal experience, it is more likely to be a few weeks, depending on the amount of wine remaining in the bottle, of course (the more wine in the bottle the longer).

Hope you've found this post helpful.

Cheers! Santé!

Dom

@ledomduvin #ledomduvin @coravin #coravin #wine #frothywine #froth #domainehumbert #burgundy #wineservice #wineeducation #sommelier #sommelierlife #sommlife #ilovemyjob #wineyearly




Unless stated otherwise, all rights reserved ©LeDomduVin 2024, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Monday, September 11, 2023

LeDomduVin: Domaine Ponsot Clos de la Roche Cuvée Vieilles Vignes 2002 - The capsule differences






Domaine Ponsot Clos de la Roche Cuvée Vieilles Vignes 2002 - The capsule differences



Laurie Vainio, a talented Sommelier and ex-colleague (as we worked for the same company a few years back), asked me about the capsule's differences between these 2 bottles of Domaine Ponsot Clos de la Roche 2002. 

He sent me these pictures, and as I did not have the answer (and could not find much online), I decided to call  Domaine Ponsot directly. 





They said that both capsules are real, and their difference is: 

The Red capsule corresponds to the first release back in 2004/2005 and other eventual releases before 2007. 

The Brown/Golden capsule corresponds to later releases after 2007, with:

- Prooftag label from 2007 to 2014 (see picture)

- Numeric label (aka e-label) after 2014 

I can not go into more detail to prevent counterfeiters from using them. 

However, I believe this answer from the Domaine is worth sharing among Sommeliers (like Lauri and me) and other wine professionals who may be unaware of this fact. 

And if you did not know, now you know. 😁👍🍷

NB: The change of capsule and label details coincide with Rudy Kurniawan's case, when, in 2008, he consigned about 84 bottles supposedly to be from Domaine Ponsot at auction, including 1929, which could not have existed as the Domaine only started bottling in 1934. Mr. Ponsot flew to New York to ensure that the counterfeited bottles of his family domaine’s Clos St Denis, listed in the Acker Merall & Condit auction, would not appear at the auction, and yet... Laurent Ponsot of Domaine Ponsot worked closely with the FBI, which led to the arrest of Rudy Kurniawan on March 8 2012. And the rest is history. It is said that despite efforts to retrieve them, a large number of Rudy's counterfeited bottles are still on the market. Watch the 2016 movie "Sour Grapes" if you do not know the story. It is quite fascinating how he succeeded in doing such a "Tour de force"!

Cheers! Santé! 

Dom

📷 Credit: Lauri Vainio

@ledomduvin #ledomduvin @domaineponsot #domaineponsot @finsomm #wine #vin #vino #wein #capsule #capsules #capsulesdifferences #differences #anticounterfeit #anticounterfeiting #wineeducation #wineknowledge #facts #winefacts




Unless stated otherwise, all rights reserved ©LeDomduVin 2023, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Thursday, July 6, 2023

LeDomduVin: Champagne(s)



Champagne(s) by @ledomduvin 2023

Champagne(s) 



In a restaurant, the story usually goes…

The sommelier arrived with some elegant Champagne flutes, placing one in front of each of us. He retrieved the bottle we had ordered earlier from the ice bucket, wiping it meticulously before presenting it to us. With his left hand, he firmly grasped the bottle's neck. Meanwhile, with his right hand, he removed the wrapping foil, loosened the wire of the muselet and then placed his right hand at the bottom of the bottle. He tilted the bottle at a 45-degree angle and, with a gentle turn of the bottle, eased the cork out while retaining it with his left hand, producing a faint "PSSSSHHHH" as the air pressure released. He poured up to a third of each glass, creating the signature fizzy crackling sound of the Champagne as the bubbles collapsed at the liquid surface. We raised and clinked our flutes for a convivial toast, looking at each other respectively before taking the first sip, as tradition commands. The sommelier placed the bottle back in the ice bucket, and with a smile and sparkles in his eyes, he said, "Enjoy!" It was a night to remember.” – Dom  


Created in the 17th century, Champagne has become the quintessential classic drink that adds a delightful touch to every party, reception, and celebration. It symbolises joy and memorable moments such as friendships, promotions, success, victories, birthdays, and weddings. 

There is always a good excuse to pop up a bottle and enjoy its delicious taste. And when it comes to “taste”, we should refer to "Champagnes" in the plural form rather than as a singular entity. There are so many types and styles of champagnes that it can be challenging to determine which will best suit your palate.

Yet, before getting into Champagnes' different types and styles, let’s briefly go back in time to its origins. 



Champagne's Origins (*)


Did you know that the first sparkling wine ever recorded was the "Blanquette de Limoux"? This wine was invented by Benedictine monks in the Abbey of Saint-Hilaire near Carcassonne back in 1531. The method consisted of bottling the wine before the initial fermentation had fully completed. This technique was later known as the "Méthode Rural".

Wine production in the Champagne region predates the origin of "Champagne" as we know it today. The initial sparkling wine that later on brought fame to this French region resulted from an accident. 

Champagne is notorious for its cold winter, reaching freezing temperatures, eventually halting the fermentation. The wine was then bottled and stored. Yet, a few months later, with the return of the warm weather and higher temperatures, a secondary fermentation would occur inside the bottle, producing carbon dioxide bubbles to form within the bottle creating the iconic fizziness associated with Champagne. 

As corks popped and bottles exploded due to the pressure in the bottle, the resulting sparkling wine was dubbed "the devil's wine" or "le vin du diable". And interestingly, bubbles were considered a fault during that time.

In 1662, six years before Dom Pérignon arrived at the Abbey of Hautvillers, Christopher Merret, an English scientist and physician, first documented the process of adding sugar to a finished wine to obtain a second fermentation. Merret presented his findings on what is known today as the “Methode Traditionnelle” ("Traditional Method" aka “Méthode Champenoise”) at the Royal Society. 

In the 17th century, English glassmakers utilized coal ovens to manufacture glass bottles that were more robust and long-lasting compared to those produced by French glassmakers who used wood-fired ovens. At the same time, Merret's discoveries coincided with the progress made by English glassmakers, who could produce bottles able to withstand the internal pressure produced by secondary fermentation. Meanwhile, French glassmakers were not yet equipped to create bottles that met the required quality and strength standards. So, until the French adopted the same technique, the Champagne produced at the time was bottled in English bottles.  

Dom Perignon, who is often credited for it, did not invent Champagne. Still, his research and inventions greatly enhanced certain techniques that led to the elaboration of Champagne as we know it today. He was the first to make Champagne out of black grape varieties such as Pinot Noir and Pinot Meunier, which are part of the 3 main grape varieties still in use for its production today. He used the traditional second fermentation process, called "Méthode champenoise". He was also the first to use cork maintained by hemp ropes and sealed by wax to prevent wine bottles from exploding.

Securing the stopper only became a concern after the shipment of sparkling wines in bottles began in 1728. Initially, the stopper was fastened to the bottle only using string. However, in 1844, Adolphe Jacquesson developed a patent for a technique that involved placing a piece of tinplate between the cork and its ties to counterbalance the forces. This invention was the creation of the first capsule, which with the ropes tightened around the head of the bottle, consisted of what is known as the "muselet" to prevent corks from blowing out. 



The Muselet (*)



Champagne Muselet by @ledomduvin 2023



The word "muselet" originates from the French verb "museler", which translates to "to muzzle". This is because the wire cage securely holds the cork in place on the bottle's head (consisting of the collar or annulus and the lip, see details in the illustration above). 

Originally made with rope, the "muselet" evolved into wire versions, which proved inconvenient to remove and difficult to apply. 

In 1855, Nicaise Petitjean invented a string-tying machine (also known as a "Cheval de bois") that revolutionized the closure force of bottle stoppers. By incorporating a lever action, the machine increased the force tenfold, enabling the use of reinforced ties and ensuring more secure stoppers. 

Although many households favoured metal wires over the string at that time, the wire option was eventually abandoned due to the inconvenience of cutting it with metal cutters while holding the cork down.

The idea of pre-forming the binding wire to form a wire cage played a crucial and innovative role in developing muselets and led to the creation of the first wire muselets, resembling the one we know today. Wire cages were manufactured around the 1880s, replacing the traditional string that was used to secure the capsule and cork. 

The House of Pommery was among the first to use the wire cage, albeit a three-strand version instead of the more efficient and more contemporary four-strand design. Other Champagne houses soon followed suit, adopting the four-strand design for better stopper security.

The twisted ring came shortly after, in 1884, when René Lebegue, who was employed by Moët & Chandon, introduced the simple yet ingenious idea of the twisted ring to ease the opening of the wire cage. Instead of being cut or otherwise painfully removed, it now just needed to be untwisted to uncork the bottle. All it took was six quick twists of the wrist to pop open the bottle.




Champagne Popping by @ledomduvin 2022



The becoming of Champagne (suite of "Champagne's origins")


In the past, Champagne was seen as defective by winemakers. However, the surviving sparkling wine bottles caught French royalty's attention and became a trendy novelty. The French King, Hugh Capet, famously included Champagne wine in official Royal dinners at the palace. By the beginning of the 18th century, the Duke of Orléans had popularized it as the preferred drink among the French upper class.

As the popularity of sparkling wine grew, new Champagne houses emerged to satisfy the demand. Ruinart was the first to open its cellar doors in 1729, followed by Taittinger (previously known as Forrest Fourneaux) in 1734. Moet was established soon after in 1743, followed by Lanson (previously Delemotte) in 1760 and Louis Roederer (formerly Dubois Père & Fils) in 1770. Veuve Clicquot was founded in 1772, and Heidsieck in 1785.

In the early 19th century, despite the existence of the "Méthode Traditionelle", the "Méthode Rurale" was still commonly used to produce sparkling wine in the Champagne region.

In fact, it took about 200 years after Merret documented the process for Champagne to use the “Méthode Traditionnelle” (“Méthode Champenoise”) in the 19th century. This century also saw significant growth in champagne production. The “Champagne” as we know it today has been developed over the last 180 years or so.

Champagne has been a beloved drink since the early days of Champagne houses, and its popularity has only grown over time. It is now a highly sought-after drink worldwide, associated with royalty, high society, and celebrations. Even today, Champagne is still considered a luxurious and opulent drink. Many well-known brands of Champagne sponsor prestigious international events such as Wimbledon, Formula 1, the BAFTAs, and Royal Ascot, bringing a touch of class and luxury to these occasions.

During the 19th century, champagne was known for its sweetness which differed from the current champagne. However, a shift towards drier champagne occurred when Perrier-Jouët chose not to sweeten his 1846 vintage before exporting it to London.

As a result, the term "Brut Champagne" was coined specifically for the British in 1876. And “Thanks to the British”, Champagne started to get produced in various “styles” and “types” afterwards and therefore got pretty complicated.

Yet, before talking about Champagne's Types and Styles, let's briefly talk about the 3 main grape varieties and how Champagne is made.


Champagne's 3 main grape varieties


Three main grape varieties are used in the production of Champagne: Chardonnay, Pinot Noir and Pinot Meunier. 

There are four additional varieties authorised in the production of Champagne, yet they are rarely used or only in very small amounts: Pinot Blanc, Pinot Gris, Petit Meslier, and Arbane.

As the still wine used to make Champagne is fermented bone dry (with no residual sugar), the intrinsic qualities and respective components of these 3 main grape varieties provide the most ideal balance of freshness (acidity) and tension to complement the effervescence and the rich, subtle taste of Champagne.

Chardonnay


Chardonnay is a white grape bringing freshness, elegance and finesse. It is mainly grown in the Côte des Blancs region and is a key component in most champagne blends. It is also used to produce Blanc de Blancs Champagne.

Pinot Noir


Pinot Noir is a black grape contributing to Champagne's body, structure, complexity and flavours. It is the region's most commonly used grape variety and is especially prevalent in the Montagne de Reims and the Côte des Bar. It is also used to produce Blanc de Noirs Champagne.

Pinot Meunier


Pinot Meunier is a black grape with a distinct fruity and floral aroma. It is a popular choice in the Marne Valley.



Apart from the unique flavours and tastes contributed by the three main grapes, the remaining flavours and taste of Champagne are a consequence of...
  • The liqueur de tirage (the addition of sugar and yeast to obtain the 2nd fermentation in the bottle)
  • The ageing with the dying yeasts (giving the distinctive toasty, yeasty character to champagne)
  • The "Dosage" (or "liqueur d'expedition", which is a mixture of white wine, brandy and sugar, added after disgorgement before final corking)


Now let's talk about the making of Champagne.




Champagne Making Process - Traditional Method by @ledomduvin 2023




Champagne's making 


First and foremost, "Champagne" can only be elaborated in the Champagne region, in the designated areas comprised within the AOC Champagne, located in France, and made only with the "traditional method" or "Méthode Chamapenoise". If not, then it is not "Champagne", just sparkling wine.   


The complex process of making Champagne takes about 12 steps: 


1. Hand-picking the grapes

The Champagne grapes are carefully picked at their ideal ripeness level, ensuring that only the finest grapes are selected. The harvesting process is done by hand to preserve the skin of the berries, which is crucial before crushing.


2. Crushing the grapes

The hand-picked grapes are collected and gently pressed in traditional, hydraulic, or pneumatic presses to keep the juice as clear as possible. The initial juice extracted from the press is distinguished and kept apart from the darker (supposedly less pure) juice extracted later. This clear juice is to be used for what is known as “the cuvée”. The extracted “Cuvée” juice flows into an opened vat or tank (called "belon") to be fermented. At this point, a small amount of sulphur dioxide (SO2) is added, known as sulphuring. Any remaining impurities are removed by “debourbage”, which encourages solid particles to sink to the bottom of the vat while clear juice is siphoned off the top.

This clarification stage is called "débourbage" and corresponds to "settling" the freshly pressed grape juice, during which skin fragments, pips, and other sediment settle at the bottom of the vat. The purpose is to send only clear juice to the fermentation stage to obtain wines with the purest fruit expression.

After 12 to 24 hours, the clear juice is drawn off and transferred to the "cuverie" (the room containing the fermenting vats) to commence the first fermentation.



3. First fermentation

After the débourbage filtration process, the grape juice undergoes the first fermentation. Typically, the juice is stored in a stainless-steel tank, although some Champagne makers choose to ferment the wine entirely or partially in oak casks. While using a wooden cask is a more intricate and costly process, it can result in a richer flavour profile. During fermentation, all the natural sugars in the grape juice are converted into alcohol until the wine is entirely dry.


4. Assemblage (or blending)

After the first fermentation, approximately five months after the harvest, the process of blending, or “assemblage”, begins. This is crucial in maintaining Champagne's consistent style and flavour from year to year.

The percentage of grape varieties varies depending on the “type” (White, Rosé, Blanc de Blancs, Blanc de Noirs, etc.) and the “style” (Brut Nature, Brut, Extra Brut, Extra Dry, etc..) the champagne house wants to achieve.

Wines from different grape varieties, vintages and vineyards are combined to obtain different “types” and “styles” of Champagne.

  • Regular Champagne (white or rosé, Brut, and non-vintage, Cru or not) is usually a blend of the three main grape varieties, for example, 40% Chardonnay, 35% Pinot Noir and 25% Pinot Meunier.
  • Special or Prestige Cuvée (white or rosé, Brut, or other, vintage or non-vintage, Cru or not) is usually richer and more complex than a regular Champagne and thus might have a higher percentage of one dominant grape. Pinot Noir-based Champagnes are usually more opulent and substantial, while Chardonnay-based is lighter, brighter, refined, and chiselled. 
  • Vintage Champagne (white or rosé, Brut, or other, cru or not) made uniquely with the wine of a particular vintage might tend to have a relatively balanced blend of the two main grape varieties, for example, 50% pinot noir and 50% Chardonnay (60/40).
  • Blanc de Blancs Champagne (Brut or other, vintage or not, cru or not) is made from 100% Chardonnay grapes and are usually lighter and more refined.
  • Blanc de Noirs Champagne (Brut or other, vintage or not, cru or not) is made with 100% black grapes, usually Pinot Noir and/or Pinot Meunier grapes.
  • Rosé Champagne (brut or other, vintage or non-vintage, cru or not) usually tends to be blended with a higher percentage of pinot noir and less of the other two grape varieties.  When producing rosé champagne, there are two methods commonly used: blending red and white wines together in a process called 'rosé d'assemblage' or macerating the grapes in a process called 'rosé de saignée.' The pinkish hue comes from the crushed grape skins in the latter method.


5. Second fermentation (Liqueur de Tirage et Prise de Mousse)

Once blended, the wines are bottled to undergo the second fermentation, a stage called "la prise de mousse" in French. This critical step involves adding a mixture of still wine, yeast, and sugar (known as the "liqueur de tirage") to the base still wine and sealing the bottle with a sturdy crown cap to obtain a second fermentation in the bottle. 

Once sealed, the bottles are stacked and/or laid down on racks or cages in cellars at cool temperatures (chalk underground cellars, also known as "crayères", have a constant temperature of about 12-15°C). Over 1-3 weeks, yeasts gradually convert the sugar into alcohol, which produces carbon dioxide inside the bottle. Unable to escape, the carbon dioxide dissolves in the wine, creating the classic Champagne effervescence.


6. Ageing (or maturation)

During fermentation, yeast cells die and split open, forming "lees" (dead yeast particles). These particles are responsible for Champagne's distinct toasty, yeasty flavour. After the second fermentation, the wine is left to age in cool cellars on its lees for a certain period, which varies depending on the type of Champagne. Non-vintage Champagne is aged for at least 15 months, while vintage Champagne is aged for at least 3 years. Premium Champagne, on the other hand, can be aged 5-8 years. It is a common belief that the longer wine ages on its lees, the better it becomes in terms of texture, flavour, richness, and complexity.


7. Riddling (or remuage)

Following the “ageing” process, "riddling" (or remuage) consists of loosening the sediments and lees (dead yeast cells) remaining in the bottle from the second fermentation by moving them towards the neck of the bottle. This makes it easier to remove them afterwards through the disgorgement process.

There are two ways to do it:  

  • The traditional method, also known as "Manual Riddling”, involves transferring the ageing bottles onto wooden racks with angled holes called "Pupitres." The bottles are loaded horizontally with sediment resting on the side. To riddle the bottles, they are given a sharp quarter-turn daily by a "bottle turner" who rotates the bottles 1/8 or 1/4 turn at a time, with a chalk mark on the bottom for reference. The bottles are gradually tilted “neck-down” (“sur pointe”) so that the sediment moves down to the bottleneck. Manual remuage takes about 4-6 weeks and involves an average of 25 turns per bottle. A professional "remueur" can handle up to 40,000 bottles daily.

  • The modern method, “Mechanical riddling” (or “automated remuage”), consists of putting the ageing bottles into racks or cages that can hold up to 500 bottles, depending on their size and brand. The bottles are then riddled using a machine called a “Gyropalette which means "turning palette" in Greek (from the Greek word "Gyros" meaning "turn").  This machine operates 24/7 and takes only one week instead of the 4-6 weeks it normally takes for the manual method, without compromising the quality of the product.

At the end of this process (either manual or mechanical), all the sediments will have moved to the bottleneck, and the bottles are now “neck-down” (“sur pointe”), ready for the next stage: disgorgement.

8. Disgorging (Disgorgement)

Disgorgement is the process of removing the sediments (accumulated in the bottleneck) from the Champagne. It is done in 2 steps:

1. Plunging the bottleneck in a cold solution at approximately -27°C, causing all the sediments gathered there to form a frozen plug.

2. Put the bottle back in an up position and swiftly remove the crown cap, which expels the frozen plug thanks to the pressure built up inside the bottle.


This is a crucial stage for the wine since it is also the first time in months (even years) that it will again be in contact with the outside air. The oxygen penetrating the bottle at this stage will help to enhance the wine’s aromatic personality further.

Although disgorgement is done mostly mechanically nowadays, for most regular bottles, especially in the most renowned Champagne Houses producing large volumes, large format bottles and some premium cuvées are still disgorged by hand ("à la volée"), especially for the small, independent producers.

A small amount of wine is forced out when the frozen sediment plug is expelled. And this is where the next stage begins when the “liqueur of dosage” is used to top up the bottle before corking it.



9. Dosage (Liqueur d'Expedition / Liqueur de Dosage)

"Dosage" is the final step before the “corking”. The “liqueur de dosage” (also known as "liqueur d'expedition") is a mixture of cane sugar dissolved in wine, added to top up the bottle and thus replace the small amount of Champagne expelled during disgorgement. It corresponds to approximately 1cl for a regular 75cl bottle of Champagne Brut.

The choice of liqueur (and the amount of sugar contained) plays a vital role as it directly impacts the style of the final product. If the goal is to maintain the unique character and purity of the wine, a neutral liqueur will be selected. However, if the aim is to enhance the wine with additional aromas, a liqueur-containing “reserve wine” - a high-quality Champagne wine that has been aged for a long time - may be used.

The amount of sugar contained in the “liqueur de dosage” will depend on the “style” of Champagne to be achieved.

The "styles" are classified and named as follows:

  • Brut Nature contains <3 g/l of residual sugar
  • Extra Brut < 6 g/l
  • Brut <12 g/l
  • Extra-Dry 12-17 g/l
  • Dry (Sec) 17-32 g/l
  • Demi-Sec 32-50 g/l
  • Doux 50 g/l

NB: refer to the paragraph on Champagne’s “types” and “styles” below for more details.



10. Corking and Inspection

Once the liqueur de dosage is added, the wine is sealed with a cork topped with a capsule and secured with a wire cage called a "muselet" (refer to the paragraph above). Despite being tightly sealed, the cork allows air exchange, explaining that the champagne continues to age in the bottle. Hence, the importance of the cork's quality plays a crucial role in this process. When applicable, the cork should also bear the name "Champagne" and the vintage.

Once corked, the bottle is vigorously shaken to ensure proper mixing of the liqueur in the champagne, a process called "poignettage".

The final step involves thoroughly inspecting each bottle to ensure clarity before storing them in a cellar for several more months until release, a period referred to as "mirage".


11. Labelling (or Habillage)

Lastly, the bottles are packaged and labelled as the last step before leaving the Champagne cellars. A foil cap is put over the cork, and a label is affixed on the bottle's front (and back usually).

They must state the compulsory information, like Brand, company and/or producer name, Champagne designation and type (Grand Cru, 1er Cru, Blanc de Blancs, Blanc de Noirs, etc..), “style” (or sugar content level: Brut Nature, Extra Brut, Brut, Extra Dry, etc.), percentage of alcohol by volume (e.g. 13.5%), bottle capacity (750ml, 1.5L, etc.), name of the village where that company or producer is registered and the country of origin (obviously "France"). Optional information may also feature on the back label: description, tasting notes, etc…

Once fully dressed, the bottles are usually stacked for a short while, waiting to be boxed or immediately boxed to fulfil preorders and orders worldwide. 



Voila! 

Now that you have a clearer idea about the various grape varieties and how Champagne is made, let's talk about Champagne's Types and Styles,





Champagne(s) by @ledomduvin 2023 (v2)






Champagne's Types and Styles


I differentiate Champagnes by “Types” and “Styles”. We can separate them by their literal definition to quickly understand their differences. 


Champagne's Types 


A "type" is a particular group of people or things that share similar characteristics and form a minor division of a more extensive set. Meaning that "Champagne" comprises different types of Champagnes (also see table below), which can broadly be classified based on 3 different main factors: Vintage or Non-vintage
      • Brut NV (Non-Vintage)
      • Brut Vintage
      • Multi-Vintage (Special or Prestige Cuvée, etc..) 
    • Colour
      • White (made from a blend of Chardonnay, Pinot Noir and/or Pinot Meunier)
      • Blanc de Blancs (100% Chardonnay)
      • Blanc de Noirs (100% Pinot Noir)
      • Rosé (made from Pinot Noir and/or Pinot Meunier, may include Chardonnay too)
    •  Vineyard Classification/Location
      • Grand Cru
      • Premier Cru
      • Autre Cru
      • Village
      • Lieux-Dits 
      • Parcel

Elaborated with three main grapes, Chardonnay, Pinot Noir and Pinot Meunier, Champagne comes in many types, including (but not limited to) the following.

A small amount of Pinot Blanc, Pinot Gris (also called "Fromenteau" in Champagne), Arbane, and Petit Meslier is also vinified and permitted in the blend of champagne, yet rarely used.



Champagne Types by @ledomduvin 2023




Champagne's Styles (or Sweetness Level)


Understanding Champagne's various "types" can be pretty challenging, yet it gets even more complicated when you consider the 7 different "styles" in which each type can be crafted.

Champagne "Styles" are classified based on their sweetness level, meaning the amount of residual sugar in grams per litre (or “dosage”) upon bottling. As mentioned in "Champagne's making" above, “Dosage” consists of a “Liqueur d’Expedition" (a mix of sugar and wine) added to top up the Champagne after disgorgement and before the final closing of the bottle with the cork and muselet.   

Some people prefer a visual as it might be easier to understand, and, as you know, I love making visuals/drawings/illustrations to add more appeal to my posts.  So, here is one.  



CHAMPAGNE STYLES by @ledomduvin 2023


As you can see on this "Champagne Styles" scale (based on their sweetness level) in the illustration above, it is a real conundrum and cannot get more confusing than that! Thanks to the British for it, as "Brut" means "Dry" (or "Sec" in French) and, yet, "Dry" means "Sweet" (for the British)... Well, what??? I'm confused!

“Brut”, which is the most well-known and popular style of Champagne, is, therefore, "dry" in "taste" but not in "style". Get it? 😁👍

Once again, the term "Brut," which means "raw" or "unrefined" in French, is used to denote "Dry” (or “Sec” in French). This means that "Brut" is a "Dry" style of Champagne (or sparkling wine in general). And, yet, when a Champagne label says "Dry," the Champagne is actually "Sweet." Quite confusing, isn't it?

And it gets even worst when the word “Extra” (meaning “more”) is added, which means that “Extra Brut” is dryer than “Brut” and thus much dryer than “Dry”. While “Extra Dry” is “Sweeter” than “Brut” but not as “Sweet” as “Dry”. Now I’m definitely confused…😉

But that’s not all. As there are a few more “Styles”. For instance, “Brut Nature” is the driest of them all, as it has “Zero dosage” and therefore is drier than “Extra Brut” and “Brut.”

In any case, I hope this illustration will help you better understand Champagne's different "styles". Yet, if you have difficulty reading it, here it is again as a table, which might be easier.



CHAMPAGNE STYLES by @ledomduvin 2023 (v2)




Reading the label


Champagne is a combination of several "Types" (i.e. Vintage or NV, Colour, Classification, Cuvée, Location, etc...) made in one particular "Style" (Brut, Extra Brut, Extra Dry, etc...), which could be decomposed and written as follows.






NB: There is no right or wrong nor a specific order on how to write the full name of a Champagne. The best way remains to write it in the same order as you read the indications on the label from top to bottom and left to right, as in the example below.


Let's take some examples of Champagne labels which are slightly difficult to read.

Jacques Selosse Lieux-dits 'Sous le Mont' Mareuil-Sur-Aÿ Grand Cru Champagne Extra Brut - NV



Champagne Reading the label by @ledomduvin 2023 (v2)



Another example,  

Pascal Agrapart "Vénus" Fossé aux Pourceaux Blanc de Blancs Avize Grand Cru Champagne Brut-Nature - 2015



Champagne Reading the label by @ledomduvin 2023 (Agrapart)



One last label, and I stop there. 😁👍 


Egly-Ouriet "Les Vignes de Vrigny" Premier Cru Brut, Champagne, France - 2017



Champagne Reading the label by @ledomduvin 2023 (v3) Egly Ouriet



I could speak about Champagnes for hours and write many more paragraphs and pages about it. Yet, maybe in another post, as I will conclude this already lengthy post here.    


In conclusion


Champagne is not just any ordinary sparkling wine. It combined century-old traditions and culture with innovation and techniques. It symbolises the exceptional quality standards and skilled craftsmanship of the Champagne Houses. 

It takes years of patience and meticulous nurturing from the winemaker and team to achieve perfection. It slowly built its richness and complexity in the silence of the "Crayères", kilometres of galleries carved underground into the renowned Champagne region's chalky limestone bedrock. And it is only released at the most ideal time when it is ready to fully express its flavours, rewarding the most patient of us with its elegant, sophisticated and unique taste. 

Besides the intrinsic qualities of the chalky soil enabling the production of the king of sparkling wines, the essential components of Champagne are the blend of the grapes used (Chardonnay, Pinot Noir and Pinot Meunier), the quality of the vineyard (Grand Cru, Premier Cru, autre Cru or other designations), the amount of sugar in the dosage defining the "style" (based of the sweetness level) and the "type" to be achieved (non-vintage, vintage, white, rosé, Blanc de Blancs, Blanc de Noirs, etc..). 

All these crucial factors combined shape Champagne's unique personality, character, and taste.



That's All, Folks! 

Thank you for reading my post. Hope you've enjoyed reading it as much as I enjoyed writing it. Hope you've learned something from it. And if not, hope, at least, it refreshed your memory about things you knew already.   

Cheers! Santé! 

Stay tuned for more educational and enjoyable posts and shared wine passion and knowledge coming soon. 


Dom 




@ledomduvin #ledomduvin #lesdessinsadom #lesillustrationsadom #lescartoonsadom #wine #vin #vino #wein #champagne #champagnes #brut #dry #sommelier #wineknowledge #wineeducation


(*) Infos for "Champagne's Origins", "The Muselet", "The Becoming of Champagne", and "Champagne's Making" sourced and/or entirely or partially taken and/or edited for this post, courtesy of 



You can also read more interesting details about the history of the Muselet at 




Unless stated otherwise, all right reserved ©LeDomduVin 2023, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).