Tuesday, February 22, 2011

My first real encounter with the wines from Domaine du Clos des Fées (Roussillon, France)



My first real encounter with the wines from Domaine du Clos des Fées
(Roussillon, France)


A few days ago, I had the pleasure to receive at the store a guy that seems to always be in a good mood and adorns a great friendly smile with every word he says. Definitely the type of guy that you can only like and befriend on site. His name is Christian Dalbavie. I met him in 2008 during a 5-6 days trip to Bordeaux, where we visited quite a few Chateaux around St. Emilion and Pomerol and also the Négociant Company of Jean-Luc Thunevin, a few people from the Wine trade of New York including myself and about 3 or 4 of the staff + the owner of T-Edward, the distributor of some Jean-Luc Thunevin’s wines in NYC.

It was a great trip and despite the wines, which were ok to good to great for rare few, the most memorable souvenir was (and still is) the outrageously good “cuisine” of Jean-Luc’s wife. Murielle cooked everyday for our group, which was oscillating, depending on the day and the numerous guests of Jean-Luc, between 10 to 20 people. Murielle Andraud is an energetic and lively brunette who, on top of being a great and busy chef, personally supervises the care of the 4.5 hectares of vineyards at Château Valandraud. Great hosts, Jean-Luc and Murielle received us like Kings and, somehow, allowed me to, once more, better try to comprehend a world usually difficult of access: Bordeaux.

Yet that said, the right bank is much more welcoming than the Bourgeois, Aristocratic left bank. Yet again, there are good and bad on both sides. I know it for a fact, I spent more than 15 years going to Bordeaux every year, around the end of Mars – beginning of April, to participate to the “En Primeur” campaign and taste at the barrel, with Chateaux owners and winemakers, in their various cellars and “Carrière de pierre”(anciently carved limestone cave from which the sculpted stone blocks where used to built entire towns like Saint-Emilion and Bordeaux, just to name the most famous of the Gironde departement).

I even had the chance to talk with these owners and winemakers at countless occasions during lunches and dinners at the Chateaux or during some of the reunion/dinner of one or the other, amongst the many “Confréries” de Bordeaux. Therefore, all these words just to say that I think that I know the “Bordelais” pretty well, being one myself and moreover being the grandson of a late winemaker from the Right Bank, and I can say that despite beautiful host manners and a certain cozy “savoir-vivre”, Bordeaux and the Bordelais have the reputation of being closed to the outside world, especially when it comes to wine; like kings in their castles.

Yet, it is very true that Bordeaux benefits of an ideal geographical position and enjoyable life and vine growing factors, proudly and jealously guarded by the Bordelais: some of the best wines in the world and rich, exceptional food recipes (Oysters, Foie Gras, Truffles, Lamb of Pauillac, Lamproie à la Bordelaise, etc); kilometers of wild beaches; proximity with the Jet-set's best kept secret riviera of the southwest of France: Lège-Cap-Ferret, and consequently the "Bassin d'Arcachon", famous for its oysters park, cute fisherman villages, quiet sailing route and of course, "Les cabanes tchanquées": the famous huts built on stilts in the middle of the bassin, on the main island called "l'île aux oiseaux", often seen on Bordeaux postcards. Add to all of these, the fact that Bordeaux is only about 2 hours and a half from the closest Ski resort in the Pyrennees and about the same time from Basque country capital Donostian-San Sebastiàn in Spain, and you will immediately understand why Bordelais love their region and their town, which has the magical way of being amongst the 10th largest cities in France in term of population, yet it feels like a tranquil, respectable village in a middle of an ocean vines. Yes, the Bordelais can be proud and protective of their region and more especially of their classic XVIII century style town Bordeaux the magnificent, which, since June 2007, is classified as world patrimony by UNESCO.

However, enough about Bordeaux, let's go back to Roussillon and Christian Dalbavie.

So, here he came, all smiling and joking, as he entered the store with Alison from Domaine Select, a Wine distributing company in NYC. He told me: “Long time no see! Since 2008 during the Bordeaux trip with Jean-Luc, if I’m correct.” It took me a minute to replace him in the many draws of my legendary bad memory for names and faces. Yet, once I recognized him, everything came back right away. And talking a few words about the past, we directly went in the back of the store to taste a few wines.

A long timer in the Music and Showbiz industry, Christian, who has only been working in the wine trade for the last few years, explains that he recently put his own wine distribution company together and now, amongst other, represents the wines of “Clos des Fées” in his portfolio.

He told me that Hervé Bizeul, the owner of Clos des Fées, should have been here with us to introduce his wines. But unfortunately, due to a non-conventional passport and total refusal from B.A. to accept him in the plane for possession of non-updated-non-biometric passport, which, by the way have been in place since Ben Laden events occurred (but he didn’t know, I guess), totally missed the flight departure and was forced to stay in France, while 15 days of organized appointments, hotel’s rooms, lunches and dinners and a lot of anticipation from devoted awaiting fans crumbled in a few minutes to a disappointing end.

However, "Too bad" and "Tampis" if Hervé Bizeul had to stay in France, hoping that he is updating his passport for next time; because fortunately, Christian was here with the wines for me to taste! And at the end of the day, even if I would have like very much to have an interesting discussion with Hervé about his wines “et tout le tralala” orbiting around them, the words that best described his wines and his qualities as a winemaker were the ones that I formulated during the tasting of each of his wines that afternoon, after being dissected by my taste buds and my uncompromising palate. Tasting is always a revealing beacon of the personality of each tasted wines but also of the winemaker behind them.

And to be sure that it is true, that’s what Alison, Christian and myself did. We tasted 6 wines that were quite extraordinary well crafted. And I loved them so much that I bought all 6 of them. Four of them were from "Clos des Fées" and that is when I realized that it will have been great if Hervé Bizeul could have been with us in person to talk about his wines; because I first had a lot of questions to ask him; and secondly if the quality and the character of his wines reflect his personality and the personage in general, then he must be someone worth spending time with.

Therefore with this post, and a little “pensée” for Hervé, who must be pretty pissed off that he had to stay in France instead of coming to New York (and the rest of the USA) to promote his wines, from what I could read on his blog at http://www.closdesfees.com/blog-herve-bizeul/… I will describe and share with you this amazing experience from “Clos des Fées”, a real revelation for my taste buds. For the store purpose, I will insist a bit more at the end on "Walden", a wine that I just used for the Wine of the Month Selection of this month, February 2011.


Roussillon France


I have always said that Roussillon lives in the Shadow of Languedoc, due to the fact that people in general do not know how to differentiate Languedoc from Roussillon. Also because usually, like the generic name of the Appellation implies it, and for for most people understanding, Languedoc and Roussillon both go in the same bag.

It has definitely something to do with the fact that Languedoc is much larger, covering about 4 départements (Aude, Hérault, Gard and Lozère), while Roussillon covers only one (Pyrenees-Orientales). Therefore, Languedoc is generating, in many ways, much more interest and press than Roussillon.

It is also due to the fact that the wines from Roussillon are less marketed and less known than the ones from Languedoc. Appellation’s names like Collioure, Banyuls, Rivesaltes, Maury or even Tautavel are somehow very obscures for most novices and amateurs, compared to Faugères, Saint-Chinian, La Clape, Minervois and so on.

Even Côtes du Roussillon and Côtes du Roussillon Villages label, which is granted to 25 villages along the Agly river, don't get the recognition that they deserve. Except for Banyuls and Collioure, both small fisherman villages nearly touching the Spanish border and over-crowded with tourists all summer long, the rest of Roussillon is rather unknown and remain somewhat wild and undiscovered.

Yet, Roussillon, which represents the most southern region of France, bordering Spain and sharing the Catalan culture with its neighbor, has experienced a real renaissance over the last decade and really deserve a bit more attention.

The eastern foothills of the Pyrenees melting into the Mediterranean Sea under the scorching sun, constantly swept by the fierce and forceful “Tramontane”, a strong, dry cold wind from the northwest going down to Spain, may not seems to be a very welcoming place. Yet, recently, it attracted more young and adventurous minds, which decided against all odds to make this place home and give it a chance, found it a certain charm and achieved hard work and perseverance to tame its temper and nature.

Thanks to them, Roussillon has evolved for the better. The cave cooperatives still exist, but a new generation of winemakers freshly arrived exhibits talent, initiative and innovation, with utmost respect for the environment. They also favor bottling at the property and emphasize low yield and natural methods, which definitely marked a new beginning and the revival of the quality rather than the quantity. Although low yield has always been the credo of the Roussillon region, so I'm not so sure if we can talk quantity within the same terms, numbers and extreme measures as in Languedoc for example, where over-production was a lifemotive for decades before changes happened in the last 10-15 years.

Hervé Bizeul was one of these newcomers that had and still has great influence on the development of the region. One of these beneficent souls who in 1997 decided to venture on the road of estate-running and winemaking in the harsh, scorched and rocky land of Roussillon. He created the world-renowned “Domaine du Clos des Fées”.

Once Hervé said: “I returned to my place of birth, the Roussillon, also known as the Pays Catalan (Catalonia), to prove that this region could also produce great red wines...” - Hervé Bizeul



Domaine du Clos des Fées Roussillon France


Domaine du Clos des Fées is located in Vingrau, a small mountainous village about 29 kilometers northwest of Perpignan and about 5.5 kilometers northeast of Tautavel, part of the Roussillon wine region, in the eastern foothills of the Pyrenees-Orientales.

Celebrated sommelier and wine journalist Herve Bizeul (Best Sommelier in France in 1981), came back to Roussillon in 1997 to buy small plots of land and vineyards scattered with nearly abandoned twisted looking old vines (they all look like that at first glance if you are not used to it, but these old ladies have resisted trough time, strong wind and harsh climate for years, hence their perfect adaptation to the rude conditions makes that twisted look rather healthy and robust).

After two years of hard work, trials, experiences, ups and downs, toughen hands and body aches, he came to the realization that winemaking was his passion and the main goal of his life, aiming to produce great wines. Therefore, in 1999, with courage, passion and a lot of determination, he firmly established his estate in the little Roussillon village of Vingrau, converting his garage into a small winery for his first vintage.

From only a few hectares at the beginning and barely no money in the pocket, through hard efforts and research of consistency and quality, the estate has now reached a staggering 27 hectares of vines, encompassing 125 tiny sites in several distinct Terroirs in Roussillon, some as much as 15 kilometers apart from each other, with vines averaging 60 year old.

The myriad of subsoil ranging from granite to schist to limestone to small pebbles reflect the incredible diversity of the vineyards that are planted with old vine (up to 100 years old) Grenache Blanc, Grenache Rouge, Syrah, Carignan and Mourvèdre.

Herve's vision was quickly recognized: in 2002, Gault et Millau's "Best Newcomer" in 2003, and Revue du Vin de France's Number One in Roussillon in 2005. Today, the wines are some of the most sought after in France and reflect Herve's passion and philosophy for life and for great wine.

I will stop there for the estate info, because Hervé has a great website with a lot of explanations at http://www.closdesfees.com and if it is not enough, he also write whatever goes in his mind on his blog at www.closdesfees.com/blog-herve-bizeul/


Here are the 4 wines from "Clos des Fées" that we tasted:




2009 Clos des Fées Grenache Blanc Vieilles Vignes
Vin de Pays des Côtes Catalanes Roussillon
France
Suggested retail price $29-$33

Imported/Distributed by Christian Dalbavie Selection via Domaine Select in NYC

A blend of hand-harvested and carefully sorted 90% Grenache Blanc from a plot of 2.5 hectares that has some of the oldest vines of the state (over 100 years) and 10% Grenache Gris, both planted on limestone-clay soils at an altitude between 200 and 400 meters, mainly facing north and west. Fermentation occurred in stainless steel for the Grenache Blanc and in two-years old barrel for the Grenache Gris with regular stirring. Then the wine matured on its lees for roughly 8 months after malolactic fermentation, to add flavors, texture and structure. Fining and filtering occurred before bottling.

Pass the pale yellow gold color, the expressive nose is very mineral with aromas of yellow apple, peach and white blossom. The palate is rather fat, ripe, complex, and long and somewhat viscous with the same type of flavors of peach and yellow core fruit enhanced by great minerality and excellent balance. The lingering finish is very well structured and inviting. This wine calls for another glass right away. I love it. Other than the usual grilled fish and succulent Mediterranean fish dishes that you can find in the Roussillon, especially in the postcard villages of Collioure and Banyuls near the border of Spain; this wine definitely can stand white meat dishes too, like poultry, game, and veal and of course roasted chicken and cheese.




2008 "Les Sorcières du Clos des Fées" Côtes du Roussillon Rouge
Suggested retail price $18-$21
Imported/Distributed by Christian Dalbavie Selection via Domaine Select in NYC

A blend of 35% Carignan Noir and 35% Grenache Noir from old vines between 40 and 80 years of age, mixed with roughly 30% Syrah from younger vines, and a tiny touch of Mourvèdre, all growing on limestone-clay soils. The hand-harvested and carefully sorted grapes, underwent a pre-fermentation cold maceration in small concrete tanks, before being macerated at room temperature for about 15-21 days, obtaining soft extraction. After Malolactic fermentation, the wine was racked from the stainless steel vats to concrete tanks where it was aged for 8 months on its lees. It was then bottled with no filtering nor fining, with minimal addition of SO2 during ageing and at bottling.

The resulting wine possesses a bright, deep, ruby color leading the way toward a concentrated nose loaded with dark berry and cassis aromas mixed with inviting floral and earthy notes of Garrigues, violet and earth. The palate is balanced, earthy, deep, complex and Terroir oriented with explosive flavors of cassis, dark dried fruit, tar, earth and spices. The lingering finish is dark, earthy, and nicely framed with present yet integrated tannins. Overall, this excellent wine is generous, friendly and inviting and will pair well with Mediterranean dish and grilled meat. It is a great, accessible example of what Cotes du Roussillon has to offer.




2006 Domaine du Clos des Fees “Le Clos des Fees” Hervé Bizeul Red Roussillon
Suggested retail price $65-$70
Imported/Distributed by Christian Dalbavie Selection via Domaine Select in NYC

Le Clos des Fées” is the Grande Cuvée of Hervé Bizeul, a superb wine made from a blend of equal parts of Syrah, Mourvèdre, Grenache Noir and Carignan Noir, hand harvested and carefully sorted from selected plots of hold hillside vines on limestone-clay soil. The vinification first occurred in new hogsheads of five hectoliters capacity, then after fermentation the wine was racked into new oak barrels (100% Saury, the name of the cooper) where the Malolactic fermentation and the ageing process took place. All operations such as pumping-over, racking and barrel filling are done by hands, without pumps. It was aged for 18 months on its lees and bottled unfiltered to keep maximum of flavors, intensity, texture and structure.

The resulting 2006 “Le Clos des Fees” exhibits a really deep, intense ruby color. The nose is extremely intense and expressive, with literally explosive aromas of cassis, blackberry, dark chocolate, pepper, spice intermingled with floral and earthy nuances. Definitely a beautiful, exhilarating nose that can keep me inhaling for hours.

It is very “à propos” to say that certain wines will make you buy them simply by their nose, even if you didn’t taste them. If it smells that good, then it can only taste good, isn’t? Well, it is not always true, that is why tasting fully rather than relying mainly on the nose, is extremely important. Lucky for us, this wine is as good as and even better in the palate than it is on the nose.

The palate is soft, integrated, expressive, juicy, extremely balanced and refreshing with great acidity and focus, despite the concentration and richness of the wine and the perfect ripeness of the fruit. It expresses intense flavors of ripe black fruit, spice, earth, tar, soil and Terroir expressions. It has been long since I drank a wine that great from the Roussillon. It is simply a superb wine that left me speechless.




Hervé Bizeul & Associés "Walden" Côtes du Roussillon Rouge


In 1854, Henri David Thoreau, poet and philosopher, published “Walden”, an account of his lonely life on the shores of a wild lake in Massachusetts. This seminal book extols the joys of a simple life in harmony with nature. Living in nature, proud to work with our hands, listening to the seasons, animals and plants, the winegrowers of the Roussillon live daily the kind of life he promoted. This authentic wine, rich, with jammy fruit and silky texture is in homage to him: his name, his commitment and to our independence and our values.” - Herve Bizeul

Walden, is a project of “Clos de Fees” owner, Hervé Bizeul, who, in collaboration with small family vintners, designed this affordable wine to showcase the potential of Roussillon’s old Carignan and Grenache vines. The vineyards consist of 6 hectares of vines planted on hillside in a wide variety of deep surface soil with mainly clay, in the foothills of the Pyrenees Mountains. They created an intermediary solution between a ‘cooperative’, wine merchant and private domain to help support local vine-growers and make fair trade possible for small producers. The partners collaborating in the alliance all have a strong cultural know-how and undeniable passion for their craft.

WALDEN was born: a modest attempt in embracing the concept of «Winery», similar to those in the US, especially boutique wineries in California and Oregon, and the «Fair Trade» system of giving a chance to people with less money and means, with the only goal in mind to produce:

  • - the best possible wine;
  • - sold at the lowest possible price, considering the low yields;
  • - where the majority of the profit goes to the vine-grower,
  • - mainly sold through the Internet or by distributors who support this project and will work with reasonable margins;
  • - Providing clear and honest information to the wine enthusiast.

In 2004 three vine-growers joined the program and provided part, if not all their production. One was an old member from a local cooperative who, with his wife, contributed 6 hectares (14.8 acres). And the other two are vine-growers who recently established their own winery but whose wine-making facilities don't allow them to process their entire harvest. Hervé Bizeul and his team provided them with the technical support needed to properly tend their vineyards, using the AOC regulations as guideline.

The system is based on trust, each participant understanding their craft and taking their own responsibilities; barely needing Herve’s team to intervene. The date and method of harvesting as well as the wine making process were decided by Hervé Bizeul, with the help of one of today’s best wine expert Athanase Fakorellis, who worked unpaid on the project.

In the autumn of 2004 and 2005, the first vinifications took place in an old cellar, in the heart of the little village of Vingrau, in large hundred years old concrete vats, with limited technology but with a lot of thinking, patience, care, if not to say, love. The result was a delicious 2004, highly praised in the Revue du Vin de France, June 2004 issue, sold-out now, and then a delicious 2005.



2007 Hervé Bizeul & Associés "Walden" Côtes du Roussillon Rouge
Suggested retail price$15-$17
Imported/Distributed by Christian Dalbavie Selection via Domaine Select in NYC

Although under the supervision of Herve Bizeul, also produced and bottled by him and his associates in Vingrau, “Walden” is a project aside of “Clos des Fées” to wish it is too often associated. Named in homage to Thoreau, this excellent Cotes du Roussillon value wine is the fruit of hard work and devotion to the cause of helping local growers, from a group of persons who put their love for the region and their savoir-faire together to craft an affordable, accessible and surely one the best example of what Roussillon has to offer in this price range.

The different grapes varieties for this wine came from old vines planted on both deep and surface soils of mainly clayey limestone, schist and granite composition. The wine underwent pre-fermentary cold maceration in concrete tanks, with daily pumping-over and was then aged for 8 months in stainless steel tanks on fine lees.

A blend of 30% Carignan Noir, 30% Grenache Noir, 30% Syrah and 10% Mourvèdre, the 2007 Walden Côtes du Roussillon Rouge possesses a deep, concentrated ruby color. The nose displays attractive aromas of juicy blackberry, cassis, raspberry and black pepper, with earthy hints of Roussillon Terroir, Garrigues violet and purple flowers. The palate is very balanced, crisp, fresh and crunchy with very good acidity that carries and put into focus the freshly crushed red and dark berry flavors. The finish is really inviting and Terroir driven with vibrant berry flavors and spicy, earth notes. A delicious, lively and youthful red wine that will complement pretty much all grilled meats and Mediterranean dishes served with grilled or stewed vegetables, around a table, on top of a hill or not too far from the Sea, protected from the cold Tramontane by a bonfire on pretty much any night of the year, appropriated for immediate consumption despite that fact that it has the guts and profile to support and benefit from a bit of bottle ageing.

In short and to resume, these 4 wines were extremely good and highly recommended. I hope one day to have the chance to go back to Roussillon to visit Hervé Bizeul and have walk with him in his vineyards to fully comprehend and still be amazed by how, when climatic conditions, ideal soil composition and human perseverance and savoir-faire meet, such fantastic results can be achieved. One day, I would love to do the same, making great wines. Merci Hervé pour tes vins!

Enjoy!

LeDom du Vin

Most info partly taken and edited from the distributor website at www.domaineselect.com/ and both wineries, respectively at www.closdesfees.com/ and http://www.walden.fr/

Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Monday, February 21, 2011

Domaine Jean-Marc Morey Chassagne-Montrachet Burgundy & 2004 Jean-Marc Morey Chassagne Rouge "Champs Gains”


Domaine Jean-Marc Morey Chassagne-Montrachet Burgundy France

HISTORY: The Morey family is an extensive one with deep roots in the village of Chassagne Montrachet. Jean-Marc Morey created his own Domaine in 1981 upon the retirement of his father Albert, who, at that point, divided his estate between his two sons (Jean-Marc and Bernard, his brother). Albert Morey was one of the first in Chassagne to bottle his own wines, beginning that tradition in 1950.

Drawing upon the rich experience he obtained while working with his father, Jean-Marc has developed a very personal style that reflects a deep commitment to the concept of "Terroir" and eschews the facility and homogeneity that characterizes many "modern" renditions of Burgundy (both red and white).

Neal Rosenthal and consequently his company, Madrose, have had the pleasure of representing the wines of Jean-Marc Morey since the 1994 vintage.

COMPSITION OF DOMAINE: Rather than splitting individual vineyard plots in half, the brothers decided to divide the holdings among the different appellations. In that way, the already small holdings were not fragmented further, as is common in Burgundy.

Jean-Marc possesses about 8.25 hectares of vineyards spread over the villages of Chassagne, St. Aubin, Santenay, and Beaune. Production is fairly evenly divided between white and red wine. The average age of the vines is over 35 years.

Chardonnay yields average around 48 hl/ha; Pinot Noir yields are much lower, frequently coming in between 30 and 40 hl/ha. Jean-Marc does not believe in using the "green harvest" to control crop size, which usually consists of removing the tiny, immature grapes while they are still green. He prefers to control production very early in the season by removing excess buds at the moment before the vine expends its energy producing surplus flowers and clusters.

VINEYARDS: From the southern part of his holdings, Morey produces the great red Santenay 1er Cru "Grand Clos Rousseau", the classic Santenay Rouge "Comme Dessus" as well as a small amount of Santenay Blanc "Les Cornières".

The bulk of his holdings are in Chassagne which enables him to produce a stunning array of whites that includes separately vinified and bottled wines from the lieu-dits of "Chaumées", "Champs Gains", "Caillerets", and "Chenevottes", along with his village wine; in red, he produces the fine 1er Cru from the "Champs Gains" vineyard.

As one turns the corner to St. Aubin, Morey exploits the lovely 1er Cru vineyard of "Charmois" to produce a white of character and great value. Finally, from his beautifully situated plot in Beaune, he presents the elegant and complex red, Beaune 1er Cru "Greves".

To further enhance the domaine's offerings, Jean-Marc also collaborates with his in-laws whose holdings in Meursault and Pommard enable him to produce Meursaults from the "Grands Charrons" and "Meix Chaveaux" vineyards and Pommards from the "Levrières" vineyard as well as the 1er Cru "Arvelets".

The daughter of Jean-Marc Morey, Caroline, happens to be the wife of Pierre-Yves Colin(-Morey), himself the son of Marc Colin, which add even more wines produces by the different members of the Morey family.



(Picture of Jean-Marc Morey and his daughter Caroline in their cellar, courtesy of http://www.loegismose.dk)

In sum, Jean-Marc Morey provides “Rosenthal Wine Merchant” with one of its most impressive and important suppliers in the Cote d'Or with a range of wines that is particularly suited to love affair with "Terroir".

METHOD OF VINIFICATION: Jean-Marc Morey favors traditional vinification methods. He uses only wild yeast.

  • For his white wines, the juice goes straight from the press into barrel for fermentation. With the gentler pneumatic press, he does not need to let the must decant to remove excessive particulate matter before fermentation. After fermentation, the wine rests on its lees and benefits from bâtonnage during its aging. His Pinot Noir is destemmed before going into cement tanks for fermentation and maceration.
  • The red wines are also allowed to age on their lees while aging in barrel, adding complexity and roundness to the wine. Only about one quarter new oak is used. For Jean-Marc Morey oak is a necessary part of the "elevage" but it is an element that should never overwhelm the fruit or the "terroir". The wines are bottled the year following their harvest to preserve the freshness and purity of the fruit and to prevent the wood from drying them out and influence texture and structure.

CHASSAGNE-MONTRACHET: Rather known for its whites counting for two third of the Appellation’s production, Chassagne-Montrachet also produces delicious reds made out of Pinot Noir, which are produced primarily in the southern part of the commune, in the direction of Santenay; the whites being mainly produced toward the east and the northeast between the communes of Chassagne-Montrachet and Puligny-Montrachet, where the chalky soil contains more limestone than clay, which add more minerality and character to the whites.

There are three Grand Cru vineyards within Chassagne-Montrachet, with Montrachet being the most well known, and 50 Premier Cru vineyards.

In addition, there are 50 “climats” in Chassagne-Montrachet classified as Premier Cru vineyards, located both to the south of the village, in the Santenay direction, and to the north, in the Puligny-Montrachet direction. Their wines are designated “Chassagne-Montrachet Premier Cru” + the vineyard name, such as “Chassagne-Montrachet Premier Cru Les Champs-Gains”, or may labeled just “Chassagne-Montrachet Premier Cru”, in which case it is possible to blend wine from several Premier Cru vineyards within the AOC.

However, in my opinion, the red wines from Chassagne-Montrachet really deserve a bit more attention than most amateurs and connoisseurs are willing to give. A good reason to write a little post about the following one that I recently discovered.



2004 Jean-Marc Morey Chassagne Rouge "Champs Gains” Côte de Beaune Bourgogne France
Suggested retail price $32-$36
Imported and distributed by Rosenthal Wine Merchant / Madrose in NYC

Situated in the south of the Côte de Beaune, Chassagne Montrachet is one of the 5 villages of the prestigious «Côte de Blancs». Facing east and southeast, white Premier Cru soils are mainly made of brown clay and limestone. Chassagne Montrachet produces 70 hectares of Premiers Crus.

The east-facing “Champs Gains” vineyard lies immediately south of the village of Chassagne-Montrachet, bordering the other 1er Cru “En Cailleret” also known as "Les Caillerets". At an altitude varying from 250 to 350 m, it benefits from exposures ranging from East to South and Southwest.

Any wine made from this particular vineyard site, red wines from Pinot Noir and white wines from Chardonnay, may be labeled either as Chassagne-Montrachet Premier Cru, or with the vineyard's own name.

“Les Champs Gain”, also spelled “Les Champs-Gains” depending of the producer, is a “climat” 1er Cru of Chassagne-Montrachet, not to be mistaken with the Puligny-Montrachet 1er cru “Champ Gain”. And for the reference, because we are in the middle of the subject, it also exists a 1er Cru of Chassagne called “En Cailleret”, that should neither be mistaken for the 1er Cru of Puligny called “Le Cailleret”.

However, to be ever more confusing and as far as I know, the spelling with the “s” at the end or the addition of a pronoun don’t seem to necessarily obey any rules. Producers can write whatever they want on the label, which is quite strange knowing how strict the administration ruling the AOC French system can be. Therefore, do not be surprise if you encounter differences like “Caillerets” or “Cailleret” with or without a pronoun, or even “Champ Gain” or “Les Champs Gain” or “Champs Gains” with or without the pronoun.



From a traditional producer who likes natural methods and uses only wild yeasts with utmost respect for the environment and classic burgundy style, and crafted from 30+ years old vines,
2004 Jean-Marc Morey Chassagne Rouge "Champs Gains” has a pale, garnet color with bright red reflects. The expressive nose boasts classic Burgundian Pinot noir aromas of ripe red cherry and fresh red berry intermingled with lovely floral, mineral and earthy notes, with hints underbrush, forest floor and game reflecting of a bit of age (secondary and tertiary aromas). The palate is really good, balanced, earthy, slightly smoky and spicy, with slightly restraint acidity and a good grip of tannins. The expanding mid-palate is very focus, bright and crisp, with flavors of a bowl of fresh mixed red berries, cherry and raspberry, plunging nicely toward the lingering, earthy, slightly mineral finish with underbrush, mushroomy nuances.

Overall, an excellent wine, which does not have the ripeness of the 2003 vintage or the complexity of the 2005 vintage or not even the focus and balance and harmony of the 2006 vintage (which is surely one of my favorite of last decade with 2002); yet, it is well crafted and pretty enjoyable. A certain rawness of the components makes me think that this wine didn’t have any fining or filtration.

Well, it is not surprising, when you know that Jean-Marc, who is also one of the first to harvest his grapes in September to keep maximum freshness and fruit character, likes to use natural methods and remain a bit old fashioned in his way of making wine and maintaining his cellar. Let’s say, he is one of these traditional winemakers, but for our sake, I hope that he will continue like that, because his wines are rather good compared to many other of his neighbors. In short, you can taste the integrity and the bonhomie of the man in his wines, and those are the signs of a good winemaker reflected in his vines and wines.

Enjoy!

LeDom du Vin

Info about the winery and producer before final description mostly taken and partly edited from the Importer/Distributor at http://www.madrose.com/moreyprint.html

Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Sunday, February 20, 2011

2009 Buil & Giné “Nosis” Verdejo Rueda Castilla y León Spain


2009 Buil & Giné “Nosis” Verdejo Rueda Castilla y León Spain

Although this wine called “Nosis” is from Rueda, it seems that the adventure of the Buil & Giné debuted in the south of Catalonia during the Winter of 1996, when the family decided to go back to wine elaboration in the Priorat region.

Before winemaking strikes back, the Buil & Giné family has been, until fairly recently, active in the food retail business. Before that, both their grand and great-grand parents had been wine makers and merchants. Making wine was only a logical mix of suites and decisions that were bound to resurface.

Bringing this tradition back to life, the present generation is dedicated to growing grapes and producing wine in both local southern Catalonian “Denominación de Origen” (DO): Priorat and Tarragona-Falset.

This dream started to materialize during the Spring of 1998 when they introduced their first wine, “Giné Giné” 1997. The name of this first wine consists of the grandfather last name repeated twice, because he was both a wine grower and the President of the Cooperativa Agrícola Falsetenca, elected twice for the quality of his work.

Obviously, ambition and opportunities, lead them to expand their business to other regions, because, outside of Priorat and Monsant, they also now produce wines from Toro and Rueda, which, for the latter, we will concentrate on for the post of today.

Rueda is a Spanish wine Denominación de Origen (DO) located in the “Castilla y León”, centered around the town of Rueda, in the province of Valladolid about 170 km northwest of Madrid. Rueda represents a flat high plain at an altitude of between 600 and 780 m above sea level, where the Duero river flows through the area from east to west.

With traces in History going back to the 11th century, like most European regions under Christian rules, where monks produced wines for the mess and the ruler of the lands, Rueda has been a wine region for a long time. Through out history and especially around the beginning of the 20th century, it appears that Rueda was producing, amongst other whites, sherry-like wines from the Palomino grape, but for the most part Rueda has always been the land of Verdejo.

Between roughly 1860 and mid 1930, while the Phylloxera louse destroyed over two thirds of the vineyards in most European countries, it also came to Rueda where it was the most devastator between 1890 and 1922.

After what, vineyards were slowly replanted by grafting vines shouts onto louse resistant New World rootstock(s) coming from America, paradoxically the country where the bug originally came from.

However, new grape varieties were selected and grafted according to productivity criteria rather than quality ones and for many years the wine produced in Rueda was sold in bulk (like in many other places across Europe between World War I and the end of 1960’s, when you really think about it). Sauvignon Blanc, Viura and Palomino Fino were planted at that time, nowadays continue to actively share the region alongside the king Verdejo.

The idea of creating a DO was first raised in 1935 but it was not until 1972 that major investment by the Rioja winery, Marqués de Riscal, signaled the start of a second era of quality wine production, again based on the Verdejo variety. Official DO status was acquired in 1980.

The Verdejo grape, grown here for centuries, experienced a great renaissance by the 1990 when it was found again to create enjoyable and approachable dry, refreshing white wine. The Verdejo variety currently occupies more than half the vineyards in the region of Rueda. It is vigorous and rustic, showing its true splendor when vinified around 13 degrees of alcohol.

Today, Rueda is second only to Rias Baixas in reputation for white wine production in Spain and generally around the world in Spanish wine retail sales. The climate, soil and winemaking tradition along with affordable pricing have generated a renewed interest in the area, and consequently its wines.

The climate of Rueda is one of the coldest parts of Spain in the wintertime and one of the warmest in the summer. The result is a long dormancy for the vines and then quick ripening so the grapes have an optimum balance of fruit and acidity, resulting in fresh and cleansing whites with Sauvignon Blanc-like attitude and character. Therefore, it isn’t surprising to often hear that Verdejo is the Sauvignon Blanc of Spain.



2009 Buil & Giné “Nosis” Verdejo Rueda Castilla y León Spain
Suggested retail price $13-$16
Distributed by David Bowler in NYC

Made of 100% Verdejo grapes manually harvested from “Fuente la Miel”, a 35 years old Verdejo vineyard near the town of La Seca, in the Valladolid province, where vines are planted on terraces overlooking the Duero River, with sandy-rocky soil above clay subsoil, this exquisite Verdejo from Rueda offers captivating nose, boasting delicate vegetative aromas, anise and hay. It was fermented in 100% stainless steel tanks after it underwent a criomaceration at 8º Celcius to extract maximum fruit aromas and flavors. On the palate, it is clean, juicy, fresh and vibrant with white core fruit and citrus flavors expanding toward a characteristic grassy, slightly bitter, limey finish, enhanced by a good amount of minerality which adds elegance and personality. A classic Verdejo from old vines that delivers agreeable, crisp sensations to pair with white fish from river and sea, but also with chicken and other white meats, along with green salad, goat cheese and a wide array of shellfish.

Enjoy!

LeDom du Vin

Info partly taken and edited from the winery website at http://www.builgine.com/ for the wine and history and partly from the distributor website at http://www.bowlerwine.com/ for the Rueda region.

The rest as always is personal knowledge from various visit in Spain and a lot of reading and analyzing, which are both keys to full comprehension of the wine, its region of origin and the culture and the people that surround it.

Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

2009 Aragus Grenache-Syrah Old Vines Campo De Borja Aragon Spain

2009 Aragus Grenache-Syrah Old Vines Campo De Borja Aragon Spain

“Aragus” is one of the numerous labels produced by Bodegas Aragonesas. The Bodega is located in the Campo de Borga Denominación de Origen (DO), in the medieval kingdom of Aragon, with vineyards planted at the foothills of the Iberian Mountain Range, in the northwest of the province of Zaragoza.

It is a transition zone between the plains of the River Ebro and the mountains of the Sistema Ibérico, which includes the foot of the Iberian Mountain Range and the high valley of the Ebro River, two important geographic and topographic factors also shared by neighboring ancient kingdom and wine regions “Navarra” and “La Rioja”.

Although less recognized than its two more regarded neighbors, Campo de Borja, which for the past 5-6 years enjoyed climbing notoriety for producing easy-going and affordable wines even when produced from old vines, is also a privileged and long established area for growing vineyards, both due to the quality of the soil, the ideal climate and the centuries of savoir-faire, where countless inexpensive yet rewarding wines are exponentially produced.

Grenache, or Garnacha, is the predominant grape variety grown in Aragon and more importantly Campo de Borja, producing juicy, earthy and slightly spicy wines with generous amount of ripe dark fruit and versatility to complement a wide array of dishes and gently agreement any occasions. Other grapes like the irreplaceable Tempranillo, but also more international grapes like Cabernet Sauvignon, Merlot and Syrah often complement Garnacha.

Although you won’t find much info on their website about this particular wine, due to the fact that sometimes, labels may changed depending on the various market they are distributed to, I invite you to visit the winery website to check the different wines that they produce at http://www.bodegasaragonesas.com/

Moreover, I couldn't find or make a good picture of the label, so here is the label of the Garnacha-Cabernet Sauvignon which is about the same and will give you a good idea.




2009 Aragus Grenache-Syrah Old Vines Campo De Borja Aragon Spain
Suggested retail price $6-$8
Distributed by Winebow in NYC

A blend of 85% old vines Garnacha and 15% Syrah, this little wine isn’t the most complex, yet it is pretty enjoyable and easy to drink. Behind its medium dark, ruby color, the nose at first, then the palate, delivers generous ripe juicy red and dark fruit aromas and flavors intermingled with earthy, floral and slightly toasted notes and hints of chocolate. Following a soft, round palate with good balance and medium built between the ripe fruit, the acidity and the present yet fairly integrated tannins; the lingering finish has a good grip with earthy, spicy nuances, which makes this rather inexpensive wine a crowd pleaser and a great everyday red to enjoy at anytime with “charcuterie” based hors-d’oeuvres and grilled and / or BBQ meats.

Enjoy!

LeDom du Vin

Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Wines in retail store: Standing Up or Laying Down bottle?





Dominique Noel (a.k.a. LeDomduVin),
Wine Director at Heights Chateau, Brooklyn Heights, NYC (2010)
©LeDomduVin 2010


Standing Up or Laying Down bottle?


Not because it is the store where I currently work (and have been working for the last nearly 4 years), but "Heights Chateau" is the quintessential "niche wine boutique store": antique library look, elegant boiserie, quaint charm, warm atmosphere, inviting, cosy and full of carefully selected wine and spirits gems (from all around the world) by the knowledgeable and friendly staff, under the leadership and guidance of its friendly, experienced and skilful owner - Matthew Lasorsa.

Both pictures (above and below) show you the charm of this Brooklyn Heights neighbourhood “Alibaba Cavern” and partly reflect the extent of the choices it has to offer, neatly organized on shelves and displays for the pleasure and easy access of our customers. 

As you can see, 1 bottle is shown on display, while the others are laying down in the back of the shelves where they are both protected from the lights and able to rest laying down with the wine touching the cork (the most ideal way to store wines, even the bottles don’t stay long enough on the shelves for their conditions to really be impacted).

Very often, when our customers come to the store and pick up one or more bottles from the shelves, they inadvertently take the first one(s) they see, which, generally and in most case scenarios, end up being the one(s) standing up.



Wine Shelves at Heights Chateau, Brooklyn Heights, NYC 
Photo courtesy of www.yelp.com 



As mentioned above, at Heights Chateau, the bottles are stored on beautiful antique-like library shelves, with one bottle (for display) standing up in front of a few more bottles (about 6-8 bottles), which are (usually) stored vertically (forming a column) with the bottles at the horizontal (lying down on their side) on top of each other (see picture above).

The owner and myself, as the store's manager and wine director, as well as the rest of the staff, are very concerned about the quality of the bottle(s) we buy and sell, how we store them.  However, we are even more concerned about how our customers pick their wine(s) and take it(them) from the shelves. 

Consequently,  unless they don’t have any other choice (as there is only one bottle left standing up), we always recommend them to choose one of the bottles lying down in the back rather than the one standing up (facing them).

And irremediably, my colleagues and I, (nearly every time we do that recommendation), are faced with the same unavoidable question from our customers: "Why? Why can't I buy the bottle standing up?" 

Well, there are surely countless amounts of reasons I could give for you not to buy the bottle standing up, yet, among them, the following 4 ones seem (to me) the most obvious and logical. And these are usually the reasons I give to my customers, when having to choose a bottle of wine in a retail store (whether it is a niche wine boutique store or a supermarket, or anywhere else you buy your wine from for that matter), and explaining why they should avoid taking the one(s) standing up.



Four Reasons not to buy a bottle standing up at your regular wine store: 




A wine Cork's Story by ©LeDomduVin 2018 (v2)



1. Dry cork and Oxidation


The first reason that comes to mind is that the bottles standing up might be affected by "dry cork and oxidation". Due to lack of the inventory's turnover on the shelves and/or, (even worst), if all the bottles on the shelves are standing up (like in a supermarket), and more especially for the bottles that have been corked with a real tree "cork" (and even for the ones that are made out of agglomerate cork to some extend, but not for the synthetic ones (*)), the cork may have dried out (due to lack of contact with the wine inside), and let some air enter the bottle, which may have resulted in some oxidation of the wine in the bottle. 

Once oxidized, a wine is bad and deteriorates rather quickly (especially if the bottle is left standing up), and its color tend to become dull and brownish (for red wines). 

That is the first and main reason why one should always choose to take a bottle from the ones that are laying down rather than from the ones standing up on the shelves.

(*) Screw-tap and plastic-like-synthetic corked bottles are usually less or rarely exposed to this kind of problem, but there again, it may happen, especially with bad or loose screw-tap caps.





Corked and Upstanding Bottles by ©LeDomduVin 2019 (v2)



A little tip: 

Always pour yourself a little taste of the wine prior filling up the rest of the glasses (the ones of your company and/or guests), as if you happen to have a bottle that you believe is oxidized or corked after tasting the first sip, do not serve it and discreetly put it aside...

(that way you will prevent anyone from making any embarrassing comments and consequently save your face at the same time, and will continue to enjoy a dinner that will have surely turned a little sour and annoying otherwise...) 

...then, immediately put the cork back and bring the bottle back to the store (where you bought it from) with what is left of wine in the bottle. 

Do not pour  the wine out in the sink (like most people do), as you might still have a chance to get your money back or get to choose another bottle as a replacement of the bad one (obviously that entirely depends of the type of store and store management you will face... you might need a tiny bit of luck too). 

One of the following scenarios will occur:

A.   You've only poured and took a sip for yourself to taste first, and the bottle is about 95% full, which is good (and will surely work on your favor when at the store explaining the situation) 

B.    You've poured a few glasses already, but they have not been touched yet... you're in luck, just pour the content of the glasses back into the bottle, put the cork back, then bring the bottle back to the store (the person at the store does not need to know you've poured the untouched wine back in the bottle, remain impassive and/or evasive on that part) 

C.    You've poured a few glasses already, and people started to taste the wine a little.... bad luck (sh*t), then forget about it, just put back the cork on the bottle as it is, probably only 40-50% of the wine left in the bottle, yet you might still have a chance... it ain't over til it's over... 

D.    You've poured the whole bottle and the glasses have long been emptied (and maybe no one but you noticed the fault...).... well, your loss... and don't push your luck mate... coz, bringing the empty bottle to the store and try to convince the store manager the bottle was oxidized or corked won't get you far.... 😊     



However, whether A, B or C (Shh.... not D we told you... ), just remember that the store needs the bottle, the cork (if possible) and (more importantly) the wine inside in order to taste it, to agree or disagree (that the wine is faulty or not), and if agreed to let you choose another bottle at the same or similar price and/or refund you (depending on their policy and also the understanding and kindness of the store manager). They also need the bottle with the wine inside for them to make, in turn, a claim and try to get the bottle replaced or a get a credit back from their suppliers/distributors.


The store should normally exchange it for a new one or another wine of your choice at the same or similar price (if they are nice and if they want to keep your business... at least that is what I do). That say, as a wine being oxidized doesn’t happen too often, and being corked either, that is if your local wine shop is doing the right thing and if you have the right customer profile (in their eyes)... Otherwise, forget about it, most stores management and/or policy will totally ignore your request and probably won't even acknowledge you. 





The Daily Life of a Bottle of Wine on Display by ©LeDomduVin 2019



2. The life of a wine bottle on display: Grabbed, checked, shaken, put back, repeat


The second reason is that the standing up bottles on the shelves, (usually the ones on display to identify the other bottles lying in the back), are always the ones that people grab, check, shake and (too often) put back without buying it, and with no consideration whatsoever for the poor wine all shaken inside the bottle. Wine doesn’t like to be shaken. Do you?




Wine Under Bright Lights by ©LeDomduVin 2019



3. Under the bright lights


The third reason is that the standing up bottles (especially the ones on display) are always the ones which receive the most light, usually the lights from inside the store (generally cheap neon fixtures glaring from the ceiling), but also from outside the store, like the sun light (yet, and obviously, that entirely depends on the store plan configuration and how large and close to the wine shelves the store's windows are... duh....).

Light usually discolors the wine. It fades or dulls the color of the wine, which may becomes lighter at first than may darken into a dullish-brownish color. In parallel, light may also affect the aging of the wine too (aging or reaching its peak prematurely) (**).

  • For the young and light whites: the color might go from light yellow-greenish hue to becomes
  • For the older and heavier whites: the color will evolve from pale and/or deeper yellow, to darker yellow-brownish
  • For the reds: the color will turn from purplish-ruby red-crimson red to a dull brownish brick color (in general)   


Among other places, (and don't get me started on supermarket's ultra-bright and harmful neon lights), rare are the wine stores that have the appropriate LED lighting and proper light orientation to make it less harmful for the wines. In fact, it is quite intriguing and enervating (and fascinating in a weird way) to see bottles on display under direct bright lights in most (supposedly fancy and reputed) wine store... (like if they did not know... unbelievable).... 

And (fortunately), that is the main reason why wine (in general), and more especially red wine, which often needs a minimum of time to age in the bottle, always come in darker colored bottles (green, dark green, brown, amber or even black), to filter the light and more especially some of the harmful UV rays, and thus prevent the light from discoloring and damaging the wine in the bottle.

It might not matter much for wines made for immediate consumption, which are usually inexpensive enough to have a good turnover and thus move faster from the shelves. Like young white and rosé wines, for example, which (usually) come in transparent or lighter colored bottles for color identification purposes (and maybe for aesthetic purposes too).

Yet, it definitely matters for top tier, expensive and high quality wines (more especially reds, but also some whites), which usually come in darker colored bottles protecting them from the light, as they usually need more aging time in the bottle.


(**) I have also read that light, among other faults, may also cause oxidation in the wine. I definitely agree for the faults that might include side effects and changes in the wine chemical composition/reaction due to the degradation of the color and pigmentation/sedimentation/residues/ components of the wine, harmed by the UV rays of the light. However, I have doubts regarding the "oxidation" of the wine by the light, as oxidation usually occurs via/through air contact, and air cannot pass through glass, as glass is impermeable to gases and liquids and is nonporous (meaning that light can pass through it but not air, nor gas or liquid). 






Color and Sediments A Soap Opera for the old, rich and famous by ©LeDomduVin 2019


4. Older wine's sediments and color pigments falling down and settling at the bottom of the bottle


The fourth reason is that, as the wine gets older in the bottle, the sedimentation naturally occurs and thus sediments form inside the bottle as the wine ages and matures (***). These sediments consist of a combination or mixture of micro-particles, composed of debris of solid matter, as well as color pigments and other wine component's residues in suspension. 

If the bottle is left standing up and the suspension is left undisturbed, these micro-particles, color pigments and other residues, will gradually fall towards and likely settle at the bottom of the bottle (in the punt). 

Understandably, if the bottle is left standing up, and more especially if it is an older wine/vintage, all the sedimentation will fall down at the bottom of the bottle, and as a consequence (and due to the fragility of older wines), the consistency of the color, but also the taste (of the wine of this particular bottle) will be irrevocably disturbed/changed. The color of the wine will fade gradually from the upper part of the bottle (logically being more concentrated at the bottom than the top) and the wine will taste slightly dull and unbalanced, lacking of focus in aromas and flavors.

I never repeat it enough, but it is really, really important to keep these old ladies at an horizontal position (meaning on their side, and not standing up) for the sedimentation (or the sediments if you prefer) to rest at the bottom along the side of the bottle. That way, the sediments remain in contact with most of the wine contained in the bottle allowing it to keep its color and taste consistency.

(***) Sedimentation usually occurs for most wines (yes, even whites), and more especially the wines that did not undergo any "soutirage" (racking), nor "collage" (fining) or filtration during the vinification, the aging in stainless still vats or wooden barrels and/or prior bottling.






"Le Domaine du Vin" by LeDomduVin, NYC Boutique store style, by ©LeDomduVin 2017


 5. Conclusion


In short, and for these 4 main reasons above, while shopping and browsing around for some good bottles of "JaJa" (a synonym of "wine") at your local wine boutique store (like at Heights Chateau), you should always choose the bottles laying down rather than the ones standing up.

That is also the reason why, in my honest opinion, one should always favor the recommendations and prone the quality of the eclectic choices (the wine selection) of a local wine boutique store (a "Caviste" as we say in French), rather than looking bewildered and irritated when facing the endless and usually “staff-less” aisles of a supermarket, which will (usually) offer a lot of choices, more especially in terms of low quality and prices, but will definitely lack the uniqueness and precision of the wine selection, the knowledgeable advises and the quality of the services, as well as the more intimate and personable experience a wine boutique store usually provides.(****)

Remember, that, unless the bottle standing up (that you are about to grab) is the last remaining bottle of the wine you really want in the store, and you don’t have any other choice, and you want it so badly, that, no matter what, you will take it anyway..... then, it is the bottle laying down that you would want and should take, not the one standing up

PS: in fact, leave the standing up ones for those who do not know better, don't care, don't want to listen and/or will not believe you even if you tell them anyway....


Enjoy!

(****) Matthew La Sorsa, owner of Heights Chateau, if you ever read this article, thank you for everything you taught me about wines and how to manage a retail store and for the opportunity you gave me to be the wine director and manager of your beautiful and characteristic wine boutique store in Brooklyn Heights (NYC) back then, for nearly 4 years (between October 2007 and July 2011). Thank you. The drawing above was inspired by the façade of your store. 😊


Santé!

LeDomduVin (a.k.a. Dominique Noel)

All illustrations and pictures and other materials used in LeDomduVin blog and other relative LeDomduVin sites and/or social medias/networks are subject to copyrights ©LeDomduVin


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Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.

Monday, February 14, 2011

Wine Buyer's theories, deliberations and thoughts...



Wine Buyer's theories, deliberations and thoughts...



Bye bye 2010 and welcome 2011, hoping that it will be a better year! Isn’t it what we say every year?… except that lately, over the last three to five years, it has been more anticipated and especially more expected than ever before.

While parts of the world are at stake regarding politic, religion, power, civil war, terrorism, dictatorship, protests, strikes, unemployment, unsettled economy, man made catastrophes and other natural disasters due to unstable climate and rapid weather forecast changes and consequently logical earth evolution and adaptation in addition to Nature natural cycles and adaptation too, it seems that the market in the US isn’t great but somewhat feels thinly, slightly better. Yet people are still very cautious and prioritize needed things rather than indulging on unnecessary stuffs.

Hence, all these factors make for an uncertain and questionable future. In the long term, we will hopefully find solutions and will reestablish a certain balance and order to things. Yet, in the short term, for now, it is pretty difficult to predict the immediate future and how things will turn.

Therefore, this trembling world economy somewhat obliges us to look more closely at our bank statements and savings, and make lesser use of our wallet and plastic cards. It is true for pretty much everything in life like food, cloths, bills, furniture, etc… but when it comes to wine and spirits, which are once again part of luxury and special occasions beverages rather than daily routine drinks for most of us, it really means to search for rather inexpensive, or let’s say less expensive wine and spirits than what we could still afford only a few years ago.

Consequently and thankfully, my job has become even more challenging and more interesting than before because, despite continuing to be accurate and consistent during tastings, about the quality of the wines that I buy and the quality/value ratio, I need to be even more precise to determine greater quality and complexity in cheaper, or let’s say more affordable wine and spirits. It is not as easy as it seems, but it helps me to remain focus and determinate to find good values and great deals to satisfy my faithful clientele.

Before, let say 5-10 years ago, it happened that even if a wine wasn’t that great, but was just good, I used to buy it from time to time. It happened for different reasons: real bargain, friendship with the distributor, a little help for my friend, etc… (and a few more lame excuses that resurfaced here and there, even now from time to time but way less than before). But nowadays, with much more competition in the market than before (more retailers, but also much more importers and distributors than only 5 years ago), therefore, with a lot more wine & spirits pouring on the big Apple and elsewhere, I can now say NO as much and often as I please. And If I don’t love a wine why buy it? Why put it on the shelf if I only just like it? No, no, not anymore! I want the best for my customers and I don’t want any of them to go next door because one my wine displeased them. It might still happen, but I'm trying really hard to avoid it.

A welcoming, well maintained cozy store offering enjoyable, efficient, and responsive services dispensed by knowledgeable staffs is everything for sure in any retail business. But eyes-catching, informative and user friendly website with competitive prices, real bargain and frequent sales, in addition to abundant in-store tastings and events are the keys to success. Yet, most important of all, integrity and honesty in your manners and ways of treating yourself, your employees and more especially your customers will definitely open the door to greater longevity of the store. Not working with your customer’s budget, “bullshitting” and lying about an item (or more) to your customers will not only make you lose your own credibility but also the credibility of the store.

That is why, as I said earlier, being accurate during tastings and consistent in my taste and ways of tasting are very important and help me to remain focus and determinate to find good values and great deals to satisfy my faithful clientele. As a wine buyer, it is essential for me to taste thoroughly all the wines that I buy and put on the shelves, to offer the best quality/value ratio wines that I can find on the market and only get the ones that I really love, and not anymore the one that I just like.

Fortunately for us all, wine and spirits buyers and drinkers, the world market is overcrowded with wines and spirits from all around the world, due to recent surge of optimist entrepreneurs, investors and producers who, thinking that it will be quite lucrative enough, fiercely over the last 2 decades, nearly over-developed two of the fastest growing segments of earth agriculture: vine-growing and wine-making.

Which means that I have to taste much more wine and spirits than before (life is really difficult… I love it), but it also means that I get to say no and being more picky than ever before, more often. It is not going to arrange my already wildly known reputation of being a difficult, opinionated and picky wine buyer. But, it is for a good cause…

However, wineries and distilleries have been mushrooming everywhere around the world, even in places that we didn’t think that it was possible only about 10-15 years ago (Vietnam, Cuba, etc…). Consequently, the market is now over-flooded with thousands of brand new wines and spirits, and, like for science, medicine and especially electronic, it is difficult to keep pace with the new trends and new comers.

In any case, like with many other things in life, I realized that most benchmarks and gifted winemakers and distillers prevail. All the others are way too often only pale copies of their mentors and inspirations. Don’t get me wrong, there are great wines and other beverages made by young, innovative, talented and/or adventurous, spirited minds out there. And more and more smaller, artisanal producers come out of the dark to craft beauties and gems for the pleasure of our taste buds. But within the crowd of people trying and the resulting ocean of wine and spirits that submerges the market every year, only rare and few remain the best that are really worth putting on the shelves.

Buyers like me watch this fast evolution with interests and opinions, but remain cautious not to let our taste buds and palates get to hasty conclusions and bad buying decisions.

Spirits, which were pretty stable and safe for the last 40-60 years, even saw their world rocked by a growing wave of modernized and altered versions of highly recognizable benchmarks.

Take for example Vodka, which was usually made from fermented substances like grain and potatoes, it now adorns new profiles being crafted with grapes and other fruits. I hear you say: “It should be Grappa then!” Yet not really, because Grappa is obtained by distilling "pomace" and grape residues (mainly skins, but also stems and seeds) left over from winemaking after pressing. Therefore the distilled component is different and distillation process also differs from Grappa. Therefore, Vodka nowadays can be made pretty much out of anything and still being called Vodka. An idea that was surely unthinkable only 20-30 years ago.

And for wine, same thing! After World War II and consequently due to the baby-boom generation, wine was overproduced in the 1960s and 70s. Producers couldn’t keep up with the demand of a world population that suddenly double in 30-40 years, from 2.5 billions in the mid-20s to more than 4 billions by the mid-60s. A lot of chemically enhanced fertilizers and machine were used. Herbs and plants in the vineyards were suddenly considered bad and useless and unhealthy, and after multiple spray were looking rather unhealthily and uniformly yellow instead of their original bright and lively colors.

Then, while more and more wineries mushroomed everywhere, the end of the 70s and beginning of the 80s saw an evolution in the wine world, vinification, ageing and bottling processes were fully done at the property rather than at the local cooperatives, or by the Négociants, like it used to be only a few decades before. The world population increased to about 6 billions. Critics like Robert Parker Jr., Wine Spectator, Stephen Tanzer and importers like Neal Rosenthal, Kermit Lynch, and many more timidly led, as pioneers of an America having great interest in wines, the way to educate the American palates about wines from the rest of the world.

Also in the mid-70s, Steven Spurrier organized the Tasting of Paris (Judgment of Paris, 1976), which, in my opinion, was more a publicity stunt than anything else; yet it allowed California to be recognized and put on the map of world class producing wine regions along Bordeaux and Burgundy. An eyes-opening experience proving to the French that they were not the only one that could make great wines and putting on pedestal an American area that will now rival some of the most established French and other prestigious European wine regions like Rioja, Ribera del Duero in Spain and Piedmont and Tuscany in Italy. Due to high demand, production increased. And somewhat influenced by certain critics and newly-recognized-future-flying-winemakers, new oak treatment with medium-to-heavy toast burn became the norm, led by Bordeaux and California where vanilla and toasted bread flavors dominated the fruit. Heavy chemical treatments were still occurring massively everywhere.

In the 90s, human being aspired to a new social consciousness, new wood ageing became less important, stainless steel tanks appeared everywhere in many shapes and forms, and organic method had a renaissance. People in general came to the conclusion that we needed to be green once again and step back in the trails left by our recent ancestors. Suddenly, we had to be good again with Nature to preserve the earth and the soil and all the life that it encompasses.

Nowadays, Us, people of the 21st century like to give names and words to things that already existed before but were spoiled, forgotten or neglected for the past 100 years due to supposedly to rapid progress and better solutions systems. Yet and fortunately, after spoiling, neglecting and rapidly destroying the earth and its natural ecosystem, especially since World War II, we recently came to the conclusion that what our ancestors were doing without real science but rather by listening the cycles of Mother Nature and being attentive, cautious, methodical and more especially a bit less disruptive with the environment, was probably better and more appropriate to healthier results.

My grandfather, which was a winemaker, was an earthy man and a man of earth, spending most of his time outside from 6am to 7am (+) and actively living at Nature pace, always busy doing something in the vineyard, or in his orchards of multiple fruit trees, or in his garden planted with many herbs, plants and vegetables, or even with his animals: hens, roosters, rabbits, dogs, cats, fish and birds amongst other things. He lived the farm life paced by Nature rhythms from dawn till dark. He didn’t need the television forecast to know what will be the weather for the next few days. It was instinctive, habitual and the result of knowledge, know-how and other experiences passed on from Father to son from previous generations started hundreds of years ago.

People like him were just paying attention about the signs of Nature and seemed to know more accurately than nowadays approximate forecast and previsions, what will come their way depending on the reactions of the animals and the plants and the changes in the atmosphere and in the air. Just by observing and obey ancient ritual and processes and ways of doing things at a certain given time and periods during the day, the week, the month or the year, they knew instinctively how to do and apply in their life what we have nearly lost and will be soon forgotten, if we don’t go back to it faster: taking the time to watch, observe, understand, comprehend and apply the right method, treatment and process with the utmost respect for Nature and the environment. Think about it….

Take Biodynamic method for example, regarded by some as the first modern ecological farming system originated out of the work of Rudolph Steiner, it is simply the result of researches of organic and sustainable cultures applied into a scientific calendar following the natural cycles of Mother Nature in accordance with the movement of the stars and the influence of the rotation of the moon mixed with a few recipes to naturally enhance the soil and recreate a proper environment amongst which the vines and other plants and trees and life in general can naturally and biologically regenerate themselves.

All this knowledge about organic and biodynamic "savoir-faire" that was almost innate for generations and existed for centuries before we recently gave it a name, nearly disappeared by the beginning of the 20th century, but was gathered and put into books and scientific methods by now renown searchers and doctors who somewhat amputated modern men of this all natural six sense: instinct, which was only the biological, rational and methodical result of the other five senses applied to everything that surround us in our everyday life: vision, hearing, smell, taste, and touch.

However, we are less and less often using our senses and especially instinct, and definitely not anymore with Mother Nature. We are now totally devoted to speed and progress, but we are not learning anything about surrounding anymore, the animals, the plants, the earth in general. Even if comprehensive movies and documentaries are made about the fact that we should preserve Nature, the environment, the extreme diversity of the fauna and the flora of little planet, rare and few are the ones that really pay attention or even care.

Yet, many winemakers around the world have adopted sustainable, organic and / or biodynamic farming cultures and methods, and we should all follow these examples, for a healthier planet and a better future for our children (I have two now, I have to be optimistic and hope that things will change for the better).

Things have never changed so fast than over the last 20-30 years. The cadence has accelerated in term of progress and lightning fast changes. In the last 100 years, we talked about changes happening in generations, which was approximately every 25-30 years. Then it became more like every 15-20 years, then from 10 to too rapidly 5 years and nowadays, we speak in term of every 6 months to a year maximum. It is specifically true for science, medicine and technologies, but it also true for wine and spirits making. The competition is fierce out there and new comers continue to appear every year.

About 40-50 years ago, out of the 195 countries in the world, barely 40 countries were producing wine and spirits with a significant import-export market, and only about 15-20 remained the top leaders, the model tank engines on which most other wines profiled themselves for years before reaching their own status, taste, characteristic and Terroirs.

Nowadays, more than 75 countries produce their own wine and spirits for local and export market. Even in the US, out of 50 states, now 38 are firmly producing wines including 6-8, also producing for the export market (California, Oregon, Washington, New Mexico, New York, Michigan, Virginia, etc…) and some the remaining 12 too have locally scattered vines and wines.

Like everything else, the world wine and spirits market is evolving at rocket speed, with methods and trends that also evolve and step into modern technologies, or sometimes comeback to traditions too. Like the recent trend of abandoning oak barrels and vats and stainless steel tanks to favor bare concrete tanks without the usual resin epoxy or even glass lining, or even to bring back from the ocean deeps and the Roman and Greek ruins from which they were inspired, the buried ancient ceramic and dirt Amphorae(s), which were the original container in which wine was contained thousands of years ago.

Therefore, whether reenacting the gestures and habits done for the past 4000 years by our ancestors and their nearly infallible and recognized methods and knowledge, or stepping into the future led by computerized machines and most updated gems of technology, the wine and spirits world will always remain an active world producing happiness, moments and momentum for people who know how to appreciate and share great food, wine and spirits to have good times with family and friends with earthy, healthy agricultural products coming from around the world.

As I said earlier, it makes my job more challenging but also more fun and rewarding. But one thing is sure, no matter what, I will always continue to discover and taste to provide you with the best of what I can find. I never say NO to taste something, whether it is food, wine, spirits or any other beverages, because life is too short and I don’t want to die stupid. Consequently, it is good for me to experience as many things as I can.

And as I always say: “Everything that you can eat or drink deserves to be at least seen, smelled and tasted for your personal knowledge, education and experience; even if not everything should be consumed!”

Think about it…

Enjoy!

LeDom du Vin

Step into the Green! Drink more Biodynamic, Biologique and Organic wines and spirits and food) from sustainable culture and respect the environment! Support the right causes for the Planet and all the people suffering all around the globe! Also follow projects and products from the Fair Trade, an organized social movement and market-based approach that aims to help producers in developing countries obtain better trading conditions and promote sustainability. Also support 1% for the Planet, an alliance of businesses that donate at least 1% of their annual revenues to environmental organizations worldwide. "Commerce Equitable" or "Fair Trade" is evidently and more than ever a needed movement connecting producers and customers, to be aware of others and their cultural and traditional products based on high quality, natural components and craftsmanship.